A Fatal Grace
‘No. Why?’
‘Well, it’s inscribed to her.’ Myrna showed him. ‘You stink, love Ruth.’
‘Clara’s “You stink”?’
‘Well, she did that day. Isn’t that funny? She said she lost it. I guess she found it again, though you say you didn’t get it from her?’
‘No, it’s part of an investigation.’
‘A homicide investigation?’
‘You said she lost it after the signing? Where?’ Gamache was leaning forward now, his bright eyes focused on Myrna.
‘At Ogilvy’s. She’d bought the book at Ruth’s launch, had it signed and then we had to leave.’ Myrna could feel his energy and felt herself getting excited, though she didn’t know why.
‘Did you come straight back?’
‘I got the car and picked her up outside. We didn’t stop anywhere.’
‘Did she go anywhere else before you picked her up?’
Myrna thought about it and shook her head. Gamache stood up. He had to get over to the Morrow place.
‘Well, there was one thing she told me the next day. She bought some food for this old beggar outside. She—’ Myrna stopped herself.
‘Go on.’ Gamache turned at the door.
‘Nothing.’
Gamache just stared.
‘I can’t tell you. It’s for Clara to say.’
‘The beggar’s dead. Murdered.’ He held up Ruth’s book and said softly, ‘You need to tell me.’
TWENTY-EIGHT
‘They’re just finishing the movie,’ said Peter.
‘It’s over,’ said Clara, popping into the kitchen to greet Gamache. ‘Even better the second time, I think. And we found something.’
They walked through to the living room to find Jean Guy Beauvoir staring at the screen, wide-eyed, as the credits rolled.
‘Mon Dieu, no wonder you English won on the Plains of Abraham,’ he said. ‘You’re all nuts.’
‘It does help, in war,’ agreed Peter. ‘But we’re not all like Eleanor of Aquitaine or Henry.’ He was tempted to point out that Eleanor and Henry were actually both French, but decided that would be rude.
‘You think not?’ Beauvoir asked. He’d seen enough of the Anglos in Quebec to make him wonder. It was their secrecy that always scared him. He couldn’t figure out what they were thinking. And if he couldn’t figure that out, he couldn’t begin to know what they’d do. He felt exposed and endangered around the English. And he didn’t like it. Frankly, he didn’t like them, and this film had done nothing to change his mind.
Terrifying.
‘Here.’ Clara pressed the rewind and the tape whizzed. ‘It’s at about minute seventeen. The tape goes strange.’
Gamache had finally figured out Clara’s garbled message. Video tapes stretch when someone stops them at the same spot often enough. And when they stretch, the picture goes wonky. Clara’s message had been that if Peter stopped his videos at an important point and the tape stretched, then maybe CC had done the same thing.
‘There is a spot where the tape goes strange,’ said Lemieux. ‘But we watched it over and over and nothing’s happening there.’
‘I think you’ll find,’ Gamache turned to the young officer, ‘that there’s a reason for every frame of this film. And there’s a reason CC stopped it there.’
Lemieux blushed. It was the same lesson all over again. There’s a reason for everything. Gamache had spoken matter-of-factly, but they both knew this was the second time he’d had to tell Lemieux that.
‘OK, here we go.’ Clara sat down and hit the play button.
A barge was approaching the dreary shore. Katharine Hepburn, as an aging Eleanor, was wrapped in shawls, splendid and brittle. There was no dialogue, just a long, pastoral shot of the boat, the oarsmen and the queen arriving.
The barge was almost at the shore, and the tape went strange. Just for a moment. It squirmed.
‘There.’ Clara hit pause. ‘Here, let me show you again.’
Twice more she rewound and hit play and twice more Eleanor arrived for her devastating Christmas with her family.
Clara paused the picture at the very moment it went squiggly. The prow of the barge almost filled the screen. No faces were visible. No actors at all. Just leafless, lifeless trees, a near dead landscape, gray water and the bow of the boat. Nothing. Lemieux might be right, thought Gamache.