Fifty Shades of Grey
Fifty Shades of Grey (Fifty Shades #1)(17)
Author: E.L. James
"Ready to go?"
I nod. I wonder what his conversation was about. He slips on a navy pinstriped jacket, picks up his car keys, and heads for the door.
"After you, Miss Steele," he murmurs, opening the door for me. He looks so casually elegant.
I pause, fractionally too long, drinking in the sight of him. And to think I slept with him last night and, after all the tequila and the throwing up, he’s still here. What’s more, he wants to take me to Seattle. Why meI don’t understand it. I head out the door recalling his words – There’s something about you – Well the feeling is entirely mutual Mr. Grey, and I aim to find out what it is.
We walk in silence down the corridor toward the elevator. As we wait, I peek up at him through my lashes, and he looks out of the corner of his eyes down at me. I smile, and his lips twitch.
The elevator arrives, and we step in. We’re alone. Suddenly, for some inexplicable reason, possibly our proximity in such an enclosed space, the atmosphere between us changes, charging with an electric, exhilarating anticipation. My breathing alters as my heart races. His head turns fractionally toward me, his eyes darkest slate. I bite my lip.
"Oh, f**k the paperwork," he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
My tongue tentatively strokes his and joins his in a slow erotic dance that’s all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I am helpless, my hands pinned, my face held, and his hips restraining me. . I feel his erection against my belly. Oh my… He wants me. Christian Grey, Greek god, wants me, and I want him, here… now, in the elevator.
"You. Are. So. Sweet," he murmurs, each word a staccato.
The elevator stops, the doors open, and he pushes away from me in the blink of an eye, leaving me hanging. Three men in business suits look at both of us and smirk as they climb on board. My heart rate is through the roof, I feel like I’ve run an uphill race. I want to lean over and grasp my knees… but that’s just too obvious.
I glance up at him. He looks so cool and calm, like he’s been doing the Seattle Times crossword. How unfair. Is he totally unaffected by my presenceHe glances at me out of the corner of his eye, and he gently blows out a deep breath. Oh, he’s affected all right
– and my very small inner goddess sways in a gentle victorious samba. The businessmen exit on the second floor. We have one more floor to travel.
"You’ve brushed your teeth," he says, staring at me.
"I used your toothbrush," I breathe.
His lips quirk up in a half smile.
"Oh, Anastasia Steele, what am I going to do with you?"
The doors open at the first floor, and he takes my hand and pulls me out.
"What is it about elevators?" he mutters, more to himself than to me as he strides across the lobby. I struggle to keep pace with him because my wits have been thoroughly, royally, scattered all over the floor and walls of elevator three in the Heathman Hotel.
Chapter Six
Christian opens the passenger door to the black Audi SUV, and I clamber in. It’s a beast of a car. He hasn’t mentioned the outburst of passion that exploded in the elevator. Should IShould we talk about it or pretend that it didn’t happenIt hardly seems real, my first proper no-holds-barred kiss. As time ticks on, I assign it mythical, Arthurian legend, Lost City of Atlantis status. It never happened, it never existed. Perhaps I imagined it all. No.
I touch my lips, swollen from his kiss. It definitely happened. I am a changed woman. I want this man, desperately, and he wanted me.
I glance at him. Christian is his usual polite, slightly distant self.
How confusing.
He starts the engine and reverses out of his space in the parking lot. He switches on the MP3 player. The car interior is filled with the sweetest, most magical music of two women singing. Oh wow… all my senses are in disarray, so this is doubly affecting. It sends delicious shivers up my spine. Christian pulls out on to SW Park Avenue, and he drives with easy, lazy confidence.
"What are we listening to?"
"It’s the Flower Duet by Delibes, from the opera Lakme. Do you like it?"
"Christian, it’s wonderful."
"It is, isn’t it?" he grins, glancing at me. And for a fleeting moment, he seems his age; young, carefree, and heart-stoppingly beautiful. Is this the key to himMusicI sit and listen to the angelic voices, teasing and seducing me.
"Can I hear that again?"
"Of course." Christian pushes a button, and the music is caressing me once more. It’s a gentle, slow, sweet, and sure assault on my aural senses.
"You like classical music?" I ask, hoping for a rare insight into his personal preferences.
"My taste is eclectic, Anastasia, everything from Thomas Tallis to the Kings of Leon.
It depends on my mood. You?"
"Me too. Though I don’t know who Thomas Tallis is."
He turns and gazes at me briefly before his eyes are back on the road.
"I’ll play it for you sometime. He’s a sixteenth century British composer. Tudor, church choral music." Christian grins at me. "Sounds very esoteric, I know, but it’s also magical, Anastasia."
He presses a button, and the Kings of Leon start singing. Hmm… this I know. Sex on Fire. How appropriate. The music is interrupted by the sound of a cell phone ringing over the MP3 speakers. Christian hits a button on the steering wheel.
"Grey," he snaps. He’s so brusque.
"Mr. Grey, it’s Welch here. I have the information you require." A rasping, disembodied voice comes over the speakers.
"Good. Email it to me. Anything to add?"
"No sir."
He presses the button, then the call ceases and the music is back. No goodbye or thanks. I’m so glad that I never seriously entertained the thought of working for him. I shudder at the very idea. He’s just too controlling and cold with his employees. The music cuts off again for the phone.
"Grey."
"The NDA has been emailed to you, Mr. Grey." A woman’s voice.
"Good. That’s all, Andrea."
"Good day, sir."
Christian hangs up by pressing a button on the steering wheel. The music is on very briefly when the phone rings again. Holy hell, is this his life, constant nagging phone calls?
"Grey," he snaps.
"Hi, Christian, d’you get laid?"
"Hello, Elliot – I’m on speaker phone, and I’m not alone in the car," Christian sighs.
"Who’s with you?"
Christian rolls his eyes.
"Anastasia Steele."
"Hi, Ana!"
Ana!
"Hello, Elliot."
"Heard a lot about you," Elliot murmurs huskily. Christian frowns.
"Don’t believe a word Kate says."
Elliot laughs.
"I’m dropping Anastasia off now." Christian emphasizes my name. "Shall I pick you up?""Sure."
"See you shortly." Christian hangs up, and the music is back.
"Why do you insist on calling me Anastasia?"
"Because it’s your name."
"I prefer Ana."
"Do you now?" he murmurs.
We are almost at my apartment. It’s not taken long.
"Anastasia," he muses. I scowl at him, but he ignores my expression. "What happened in the elevator – it won’t happen again, well, not unless it’s premeditated."
He pulls up outside my duplex. I belatedly realize he’s not asked me where I live – yet he knows. But then he sent the books, of course he knows where I live. What able, cell-phone-tracking, helicopter owning, stalker wouldn’t.
Why won’t he kiss me againI pout at the thought. I don’t understand. Honestly, his surname should be Cryptic, not Grey. He climbs out of the car, walking with easy, long-legged grace round to my side to open the door, ever the gentleman – except perhaps in rare, precious moments in elevators. I flush at the memory of his mouth on mine, and the thought that I’d been unable to touch him enters my mind. I wanted to run my fingers through his decadent, untidy hair, but I’d been unable to move my hands. I am retrospectively frustrated.
"I liked what happened in the elevator," I murmur as I climb out of the car. I’m not sure if I hear an audible gasp, but I choose to ignore it and head up the steps to the front door.