Shriek: An Afterword

For all of his wretched fumbling for words—I hope he didn’t fumble that way with her bra strap!—I could have defined his condition for him with one word: lust. Why, I had become a world-renowned expert on lust by then, seeing the problem firsthand from several dozen different positions. I could have helped Duncan, except he didn’t ask my advice; instead, he wrote it all down in his journal. {Not fair. I knew you would have advised me against it, and this I could not bear the thought of. I must say—I do appreciate you baring my soul in your afterword.}

I was destroyed by this. Destroyed. How can I describe the heaviness of her body next to me? The rich physicality of her, the smell of her skin, the way her body eclipsed my senses. She annihilated my dream of her—even flame too light a metaphor. Confronted by the reality of her, I was tormented by the urgency of a choice I could not make. I shuddered and drew back, so overcome with desire that I shivered and said nothing, even though an awkward pause had descended over our conversation, her gaze upon me.

Had Duncan taken lovers before Sabon? Rarely. He had no time for love with so much mucking about in underground tunnels ahead of him. I’ll tell you the distasteful truth: he lost his virginity to a prostitute the night he graduated from the Religious Institute in Morrow. {One begins to wonder if you really have my best interests in mind.}

I remember it quite well. She arrived at the Institute much earlier than Duncan intended, before I had left for my own quarters. He made her wait in the cloakroom while he finished getting dressed; I felt like asking him why he bothered.

She and I had nothing to talk about, although I looked her over as thoroughly as if she had been meant for me. She seemed as respectable as anyone from Sabon’s necklace of flesh, which is to say: not at all. Her blond hair had streaks of brown in it, and her face was too pale. Her hastily applied makeup encircled her eyes with too much blue. She looked ghostlike, waiflike, her dress a size too big. She wore it bravely nonetheless, struggling not to be lost in the greens of it.

Duncan came out then, his entrance accompanied by an expression of such utterly pathetic excitement that I found myself forgiving him, almost envying him. How could I pass judgment knowing how alone he had been?…But that wasn’t all: as I closed the door, I saw them standing there in front of his wall of oddities, and the stare of recognition that passed between them, the alone meeting the lonely, carried with it a level of comprehension much deeper than anything I ever saw between Duncan and Mary; as deep as if they had been lovers for twenty years {the truth was, you spent about as much time with that prostitute as you did with Mary over the years, so how could you know?}.

The deliciousness of that moment, my intent almost exposed to Mary by my silence, lingers with me still, and I wonder if the consummation of this feeling could ever compare to the sheer, excruciating sweetness of this tension that binds me to her and her to me in this enclosed space of memory—my mouth so close to her blouse, which I must either kiss or tell her how I burn, and yet can do neither. There is no time in such a place, only thoughts and flesh transposed. The white of her blouse. The white of her beneath the white. And in my thoughts, where I can enslave everyone and everything, I cross the space between our bodies. I place my mouth upon her breast. She expresses neither surprise nor shock, but only sucks in her breath, moans, and slowly places her soft hands behind my head, drawing me into her, her hands so cool on my hair, her body soft soft soft.

I think I am going mad.

Mad? What did my poor, deluded brother know about going mad? I find it somewhat pathetic that my brother, the great historian, could not tell the difference between going mad and falling in love. The difference, as I know from bitter experience, is that when you go mad, you go mad utterly alone. Quite perfectly alone. That is the only difference.

How do I know this? I know this because one afternoon, while Duncan wrestled with an entirely different sort of madness, I entered my apartment, turned on the lights, and went into the bathroom, never intending to come back out again….

7

Start again. Start over. How am I supposed to get through this part? I could ignore it, I suppose, but it wouldn’t go away—it would be a huge, gaping hole in this afterword. A few snapped golden threads. An unrealized opportunity. Did I become more of Duncan’s life then, or did I become a shadow to him?

Release my breath. Breathe in again. Imagine a courtyard with stone benches and willows and the scent of honeysuckle and sweet, good conversation.

I remember Bonmot asked me about death once when Duncan was off grading papers. I don’t recall the context, or who had broached the subject.

“Are you afraid of death?” he asked me.

“I’m afraid of not knowing,” I said. “I would like to know. I would like to know when I am going to die.”

Bonmot laughed. “If you knew, you might relax too much. You might think, ‘I’ve got twenty years. Today, I don’t need to do a thing.’ Or you might not. I don’t know.” He took a bite of his sandwich.

“Duncan’s not afraid of death,” I said.

Bonmot looked at me sharply. “What makes you think that?”

“The way he courts it. The way he puts himself in the path of death.”

Suddenly, I felt as if Bonmot was angry with me.

“Duncan is afraid of death, trust me. Sometimes, I think he is more afraid of death than anyone I’ve ever met. Do you understand why I say that?” {I’m not afraid of death—I’m afraid of dying too soon.}

At the time, I didn’t. I didn’t understand at all. Now, I do understand. It is all too clear now.

A courtyard. Stone benches. Willow trees. Honeysuckle.

Bonmot: “You needn’t be afraid of death. If you believe, you will come back.”

Me: “Believe in what?”

Bonmot: “Anything. It doesn’t matter what.”

But I’m not there. I am here, and I know that we die. We die and we don’t come back. Ever. Why should it matter that I tried to hasten the process—to go further than Duncan, to beat him to the beginning of the race, to fall between the glistening strands and keep on falling through the darkness? {I had my watchers on you by then. I would never let you fall between the strings—me, yes, but not you.}

I’m sorry. I’ve tried so hard to stick to a sophisticated style, something I thought Duncan would recognize and appreciate, even if he is gone forever. But the truth is, I can’t keep on this way. Not all the time. The green glass glares at me. The hole in the floor is opening. I defy anyone under these circumstances to smile and dance and prattle on as if nothing had gone wrong.