Shriek: An Afterword

“Maybe you’re right,” I said, “but that doesn’t mean it can’t be sad, too.”

Did I already say that there came to be the most terrible of Festival nights? It burned down the Borges Bookstore. It stopped the war between F&L and H&S. It stopped the love between Duncan and Mary, too. Snapped it. Was no more. Never again. {It brought an end to many things, this is true. But the Festival had nothing to do with ending my relationship with Mary. I caused that all by myself.} There had never been a Festival like it, except, perhaps, during the time of the Burning Sun. There may never be another like it again. {Why would there need to be? Every week since the Shift began, some part of the city is as raw as during Festival time.}

As far as I can remember, our father had never had anything to say about the Festival. {Not true. In his essay “The Question of Ambergris,” he wrote [I paraphrase from memory]: “At the heart of the city lies not a courtyard or a building or a statue, but an event: the Festival of the Freshwater Squid. It is an overlay of this event that populates the city with an alternative history, one that, if we could only understand its ebb and flow, the necessity of violence to it, would also allow us to understand Ambergris.” Statements like this led me to my explorations of Ambergris. I remember trying to read my father’s essays at an early age, and only understanding them in fragments and glimpses. I loved the mystery of that, and the sense of adventure, of the questions implied by what I could understand.} However, he did say one or two things about the gray caps. I recall that at the dinner table he would ramble on about his current studies. He had no gift for providing context. He would sit at the table, looking down at his mashed potatoes as he scratched the back of his head with one hand and pushed his fork through his food with the other. There was always about him at these times a faraway look, as if he were figuring something out in his head even as he talked to us. Sometimes, it would be a kind of muttering chant under his breath. At other times he was genuinely talking to us but was really elsewhere. He smelled of limes back then, our mother having insisted he wear some cologne to combat the smell of old books brought back from the rare book room of the Stockton Library. But since he hated cologne, he would cut up a lime instead and anoint himself with its juice. {I enjoyed that smell of books, though, missed it when it was gone—it was a comfortable, old-fashioned smell, usually mixed with the dry spice of cigar smoke. I came to feel that it was the smell of learning, which provoked the sweat not of physical exertion, but of mental exertion. To me, book must and cigar smoke were the product of working brains.}

At one such dinner, he looked up at us and he said, “The gray caps are quite simple, really. I don’t know why I didn’t think of this before. So long as what you’re doing doesn’t interfere with their plans, they don’t care what you do—even if you cause one of them physical harm. But if somehow you step across the tripwire of one of their ‘activities,’ why, then, there is nothing that can save you.”

{I remember that, too. “Tripwire.” A word I’d never heard before he used it. Why did he use that word? It fascinated me. While teaching at Blythe, I used the term in connection with the Silence. Had the Silence been caused by some kind of triggering of a “tripwire,” a set of circumstances under which the gray caps thought they could activate their Machine successfully? If so, what particular stimuli might have come into play? Could we predict when another such attempt might be made? And yet, even after the most minute study of ancient almanacs, historical accounts, the works of a number of statisticians such as Marmy Gort, and anything else we could lay our hands on, I still could not divine those finite, measurable values that might have created the ideal conditions. I concluded that the gray caps’ extraordinary ability to collect information, coupled with their additional spore-based senses, made it unlikely that we would ever be able to know. This did not stop me from continuing to try. Or continuing to ask the most important question: why build a Machine? And what—exactly—did it do?}

We were to find out during the Festival of the Freshwater Squid that year just what happened when Ambergris collectively sprung a tripwire. For the bad Festival was like the antithesis of the Silence, sent to convince us that any semblance of law in the city was illusory, that it could not truly exist, whether we thought it resided in the palm of an obese, elderly Hoegbotton, a thin, ancient Frankwrithe, or the wizened visage of a Kalif none of us had ever seen.

The night of the festival, the sun set red over the River Moth. Most of the crepe paper lanterns that people had set out had already been crushed by rubble or by the motored vehicles of opposing forces. The Kalif’s men had stepped up their bombardment of the city from without. They made no pretense anymore of aiming at anything in particular, their bombs as likely to crack open a hospital ward as a Hoegbotton sentry post. Really, it was as random as a heart attack. Why worry about what you cannot defend against? So we walked the streets as calmly as we had before the war, when we hadn’t been hunkered down against threats like a fungal bullet to the brain from some trigger-happy F&L recruit.

No, gunfire couldn’t get to me. What terrified me as I looked out from my apartment at dusk was the proliferation of red flags.

On the way back from our journalistic assignments that day, before we turned in our now infamous “The Kalif Yearns for Every Ambergrisian’s Head” article, the flags of the gray caps had appeared in multitudes—rhapsodies of red that seemed, like the ever-present fungus, always on the verge of forming some pattern, some message, only to fall apart into chaos again.

As we approached Lacond’s offices in the late afternoon, the wind picked up. It rattled the gravel on side streets. It brought with it a strange premature twilight, and a smell that none could identify. Was it a smell come up off the river? It seemed bitter and pleasant, sharp and vague, all at once.

The light, as Martin Lake might have said, had become different in Ambergris.

We left Lacond’s offices tired and ready for rest, Duncan to his and Mary’s apartment, me to my own place much farther down Albumuth Boulevard in the opposite direction. {Not even Lacond could demand we cover the Festival, not that year. The Kalif’s troops were an unknown factor—they made us nervous, as had the uneventful Festival the year before.} Sybel had decided to take me up on my invitation and stay with me that night, just in case. Either we’d celebrate the Festival together or defend ourselves against it. {I left ample protections; I’m sorry they were not enough.} We had all been through many Festivals. We were old pros at it. We knew how to handle it.