The Knife of Never Letting Go
I look over at Viola, eating outta one of her packets of fruit.
I think about my ma’s book, still in my rucksack.
Stories in voices, I think.
Could I stand to hear my ma’s voice spoken?
Viola crinkles the fruit packet she’s just finished. “That’s the last of them.”
“I got some of this cheese left,” I say, “and some dried mutton, but we’re gonna have to start finding some of our own on the way.”
“You mean like stealing?” she asks, her eyebrows up.
“I mean like hunting,” I say. “But maybe stealing, too, if we have to. And there’s wild fruit and I know some roots we can eat if you boil ’em first.”
“Mmm.” Viola frowns. “There’s not much call for hunting on a spaceship.”
“I could show you.”
“Okay,” she says, trying to sound cheerful. “Don’t you need a gun?”
“Not if yer a good hunter. Rabbits are easy with snares. Fish with lines. You can catch squirrels with yer knife but there ain’t much meat.”
“Horse, Todd,” Manchee barks, quietly.
I laugh, for the first time in what seems like forever. Viola laughs, too. “We ain’t hunting horses, Manchee.” I reach out to pet him. “Stupid dog.”
“Horse,” he barks again, standing up and looking down the road from the direkshun we just came.
We stop laughing.
There’s hoofbeats on the road, distant but approaching at full gallop.
“Someone from Brockley Hills?” Viola says, hope and doubt both in her voice.
“Brockley Falls,” I say, standing. “We need to hide.”
We repack our bags in a hurry. It’s a narrow strip of trees we’ve managed to get ourselves stuck in twixt the road and the river. We daren’t cross the road and with the river at our backs, a fallen log is the best we’re gonna get. We gather the last of our things and crouch down behind it, Manchee held twixt my knees, rain splashing everywhere.
I take out my knife.
The hoofbeats keep coming, louder and louder.
“Only one horse,” Viola whispers. “It’s not the army.”
“Yeah,” I say, “but listen how fast he’s riding.”
Thump budda-thump budda-thump we hear. Thru the trees we can see the dot of him approaching. He’s coming full out down the road, even tho it’s raining and night’s falling. No one’d ride like that with good news, would they?
Viola looks behind us at the river. “Can you swim?”
“Yeah.”
“Good,” she says. “Because I can’t.”
Thump budda-thump budda-thump.
I can hear the buzz of the rider’s Noise starting but for a time the galloping is louder and I can’t hear it clearly.
“Horse,” Manchee says from down below.
It’s there. Static twixt the hoofbeats. Flashes of it. Parts of words caught. Rid– and Pa– and Dark– and Stup– and more and more.
I clench the knife harder. Viola’s not saying nothing now.
Thump budda-thump budda-thump budda–
Faster and Nightfall and Shot and Whatever it–
And he’s coming down the road, round a little curve we took just a hundred metres back, leaning forward–
Thump budda–
The knife turns in my hand cuz–
Shot ’em all and She was tasty and Dark here–
Thump BUDDA–
I think I reckernize–
THUMP BUDDA-THUMP BUDDA–
And he’s nearer and nearer till he’s almost–
And then Todd Hewitt? rings out as clear as day thru the rain and the galloping and the river.
Viola gasps.
And I can see who it is.
“Junior,” Manchee barks.
It’s Mr Prentiss Jr.
We try to duck down farther below the log but it ain’t no use cuz we already see him pulling back hard on the reins to stop his horse, causing it to rear up and nearly throw him.
But only nearly.
And not enough to make him drop the rifle he’s got under one arm.
Todd BLOODY HEWITT! screams his Noise.
“Oh, shit,” I hear Viola say and I know what she means.
“Well, HOOO-EEE!” Mr Prentiss Jr yells and we’re close enough to see the smile on his face and hear amazement in his voice. “Yer taking the ROAD?! You ain’t even going OFF TRAIL?!”
My eyes meet Viola’s. What choice did we have?
“I been hearing yer Noise for almost yer whole stupid life, boy!” He turns his horse this way and that, trying to find where exactly we are in our little strip of woods. “You think I’m not gonna hear it if ya just HIDE?”
There’s joy in his Noise. Real joy, like he can’t believe his luck.
“And wait a minute,” he says and we can hear him edging his horse off the road and into the woods. “Wait just a minute. What’s that beside you? That empty space of nothing.”
He says it so nasty Viola flinches. I got the knife in my hand but he’s on horseback and we know he’s got a gun.
“Too effing right I’ve got a gun, Todd boy,” he calls, no longer searching round but coming straight for us, getting his horse to step over bushes and round trees. “And I got another gun, too, another one special, just for yer little lady there, Todd.”
I look at Viola. I know she sees what he’s thinking, what’s in his Noise, the pictures that ooze out of it. I know she does cuz I can see her face closing right up. I bump her arm and I flash my eyes over to our right, just about the only possibility we have for an escape.
“Oh, please run, boy,” Mr Prentiss Jr calls. “Please give me a reason to hurt you.”
The horse is so close we can hear its Noise, too, jittery and crazy.
There’s no farther down we can crouch.
He’s nearly on top of us.
I grip the knife and squeeze Viola’s hand once, hard, for luck.
It’s now or never.
And–
“NOW!” I yell.
We jump up and a gun blast rings out, splintering the branches over our heads, but we run anyway.
“GET!” Mr Prentiss Jr shouts to his horse and here they come.
In two bounds, his horse turns and jumps back to the road, following along it as we run. The strip twixt the road and the river ain’t getting any thicker and we can see each other as we go. Branches snap and puddles splash and feet slip and he pounds along the road matching our every step.
We ain’t gonna get away from him. We just ain’t.