The Rules of Attraction
“Too passé,” Lila mutters.
“Lots of broken plates and ‘suggestive’ smears,” did Sean say this?
“Or getting Fischel to do the pamphlet. Some of the chic jet-setting nihilistic Eurotrash who live off-campus, nude, standing around with dogs and fish. Welcome to Camden College-You’ll Never Be Bored.” Gina starts laughing.
What money? I’m thinking. Have I missed something. Am I out of it?
The grass is good but I have to light a cigarette to stay awake and during a break on the record we can all hear someone from the party next door scream, “That’s phallic—yeah! yeah! yeah!” and we all look at each other, stoned, and crack up and I remember seeing Judy crying in a doorway upstairs at the party, in the bathroom, Franklin trying to comfort her, Franklin glaring at me as I left with Sean.
Now the inevitable.
We’re in his room and he plays me a song. On his guitar. He serenades me and it’s almost embarrassing enough to sober me up. “You’re Too Good to Be True” and I start crying only because I can’t help but think of Victor, and he stops halfway through and kisses me and we end up going to bed. And I’m thinking what if I went back to my room now, and what if there was a note on the door saying Victor called? What if there was just a note? Whether he called or not doesn’t matter. Just to see a note, just to see maybe a V, and f**k the rest of the letters. If there was just a sign. It could make me elated for one week, no, one day. I put my diaphragm in at Gina’s and Lila’s apartment so there’s no drunken forgetfulness on my part, no running to the bathroom in the middle of foreplay.
Sean f**ks me. It’s not so bad. It’s over. I breathe easy.
SEAN We walked slowly back to my bedroom (she followed me like she knew this would happen, too eager, too stunned to speak) past the party which was still going on, across the Commons, and upstairs to Booth. I was so excited I couldn’t stop shaking and I dropped the key when I tried to unlock the door. She sat on the bed and leaned against the wall, her eyes closed. I plugged in the Fender and played her a song I’d written myself and then segued into “You’re Too Good to Be True” and I played it quietly and sang the lyrics slowly and softly and she was so moved that she started to cry and I stopped playing and knelt before the bed and touched her neck, but she couldn’t look at me; maybe it was the grass we smoked at the dykes’ who want to blow up the weight room, or maybe it was the Ecstasy I’m pretty sure she was on; maybe it was that she loved me. When I tilted her face up, her eyes were so grateful that …
She had already started taking her toga off and except for her panties she had nothing on beneath it. She had the body of a much younger girl. Her br**sts were small but full, yet the ni**les weren’t hard, not even after he touched them, then kissed and licked them. He helped her remove the panties, saw how small her cunt was too, the pubic hair light and sparse yet when he squeezed it, hard then soft, slid a finger in, he didn’t feel anything. She wasn’t getting wet even though she was making soft little moans. He was semi-stiff, but still not excited. Something was missing…. There was a problem somewhere, a mistake. He didn’t know what. Confused, he started to f**k her, and before he came, it hit him: he can’t remember the last time he had sex sober….
PAUL I sit alone in my room, in a chair, in front of the TV, drinking beer I ordered up from room service, watching Friday night videos. Video of Huey Lewis and the News comes on. Huey Lewis walks into a party looking confused. Huey Lewis reminds me of Sean. Huey Lewis also reminds me of my ninth-grade gym teacher. Sean doesn’t remind me of my ninth-grade gym teacher. Richard opens the door, still in the tuxedo he was wearing at dinner and he sits down on one of the beds and all he says is, “Lost my sunglasses.”
I keep watching Huey Lewis, who can’t find his way out of the party. He’s holding hands with some blond bubblehead and they can’t find their way out. They keep opening doors and none of them contain an exit. One contains a train hurtling at them, another has a vampire hidden behind it, but none offer a way out. How symbolic.