The Transfer: A Divergent Story

“Think it through, Stiff!” a voice shouts, and I go still. I remember that this is a simulation.

Think it through. What do I need to get out of this box? I need a tool, something stronger than I am. I nudge something with my toes and reach down to pick it up. But when I reach down, the top of the box moves with me, and I can’t straighten again. I swallow a scream and find the pointy end of a crowbar with my fingers. I wedge it between the boards that form the left corner of the box and push as hard as I can.

All the boards spring apart at once and fall on the ground around me. I breathe the fresh air, relieved.

Then a woman appears in front of me. I don’t recognize her face, and her clothes are white, not belonging to any faction. I move toward her, and a table springs up in front of me, with a gun and a bullet on it. I frown at it.

Is this a fear?

“Who are you?” I ask her, and she doesn’t answer.

It’s clear what I’m supposed to do—load the gun, fire the bullet. Dread builds inside of me, as powerful as any fear. My mouth goes dry, and I fumble for the bullet and the gun. I’ve never held a gun before, so it takes me a few seconds to figure out how to open the chamber of the pistol. In those seconds I think of the light leaving her eyes, this woman I don’t know, don’t know enough to care about her.

I am afraid—I am afraid of what I will be asked to do in Dauntless, of what I will want to do.

Afraid of some kind of hidden violence inside of me, wrought by my father and by the years of silence my faction forced on me.

I slide the bullet into the chamber, then hold the gun in both hands, the cut in my palm throbbing. I look at the woman’s face. Her lower lip wobbles, and her eyes fill with tears.

“I’m sorry,” I say, and I pull the trigger.

I see the dark hole the bullet creates in her body, and she falls to the floor, evaporating into a cloud of dust on contact.

But the dread doesn’t go away. I know that something’s coming; I can feel it building inside me. Marcus has not appeared yet, and he will, I know it as surely as I know my own name. Our name.

A circle of light envelops me, and at its edge, I see worn gray shoes pacing. Marcus Eaton steps into the edge of the light, but not the Marcus Eaton I know. This one has pits for eyes and a gaping black maw instead of a mouth.

Another Marcus Eaton stands beside him, and slowly, all around the circle, more and more monstrous versions of my father step forward to surround me, their yawning, toothless mouths open wide, their heads tilting at odd angles. I squeeze my hands into fists. It’s not real. It’s obviously not real.

The first Marcus undoes his belt and then slides it out from around his waist, loop by loop, and as he does, so do the other Marcuses. As they do, the belts turn into ropes made of metal, barbed at the ends. They drag their belts in lines across the floor, their oily black tongues sliding over the edges of their dark mouths. At once they draw back the metal ropes, and I scream at the top of my lungs, wrapping my arms around my head.

“This is for your own good,” the Marcuses say in metallic, united voices, like a choir.

I feel pain, tearing, ripping, shredding. I fall to my knees and squeeze my arms against my ears like they can protect me, but nothing can protect me, nothing. I scream again and again but the pain continues, and so does his voice. “I will not have self-indulgent behavior in my house!” “I did not raise my son to be a liar!”

I can’t hear, I won’t hear.

An image of the sculpture my mother gave me rises into my mind, unbidden. I see it where I placed it on my desk, and the pain starts to recede. I focus all my thoughts on it and the other objects scattered around my room, broken, the top of the trunk loose from its hinges. I remember my mother’s hands, with their slim fingers, closing the trunk and locking it and handing me the key.

One by one, the voices disappear, until there are none left.

I let my arms fall to the ground, waiting for the next obstacle. My knuckles brush the stone floor, which is cold and grainy with dirt. I hear footsteps and brace myself for what’s coming, but then I hear Amar’s voice:

“That’s it?” he says. “That’s all there is? God, Stiff.”

He stops next to me and offers me his hand. I take it and let him pull me to my feet. I don’t look at him. I don’t want to see his expression. I don’t want him to know what he knows, don’t want to become the pathetic initiate with the messed-up childhood.

“We should come up with another name for you,” he says casually. “Something tougher than ‘Stiff.’ Like ‘Blade’ or ‘Killer’ or something.”

At that I do look at him. He’s smiling a little. I do see some pity in that smile, but not as much as I thought I would.

“I wouldn’t want to tell people my name either,” he says. “Come on, let’s get some food.”

Amar walks me over to the initiates’ table once we’re in the dining hall. There are a few Dauntless already sitting at the surrounding tables, eyeing the other side of the room, where pierced and tattooed chefs are still setting out the food. The dining hall is a cavern lit from beneath by blue-white lamps, giving everything an eerie glow.

I sit down in one of the empty chairs.

“Jeez, Stiff. You look like you’re about to faint,” Eric says, and one of the Candor boys grins.

“You all made it out alive,” Amar says. “Congratulations. You made it through the first day of initiation, with varying degrees of success.” He looks at Eric. “None of you did as well as Four over here, though.”