Black House

"Not as far as I know. Her admitting physician, Dr. Spiegleman, will be here in about half an hour, and he might have more information for you. Would you like me to take you and Mr. Sawyer to your wife, or would you prefer going by yourself ?"

"We’ll be fine," Fred Marshall says. "How long can we stay?"

"I’m giving you fifteen minutes, twenty max. Judy is still in the eval stage, and I want to keep her stress level at a minimum. She looks pretty peaceful now, but she’s also deeply disconnected and, quite frankly, delusional. I wouldn’t be surprised by another hysterical episode, and we don’t want to prolong her evaluation period by introducing new medication at this point, do we? So please, Mr. Marshall, keep the conversation stress-free, light, and positive."

"You think she’s delusional?"

Nurse Bond smiles pityingly. "In all likelihood, Mr. Marshall, your wife has been delusional for years. Oh, she’s managed to keep it hidden, but ideations like hers don’t spring up overnight, no no. These things take years to construct, and all the time the person can appear to be a normally functioning human being. Then something triggers the psychosis into full-blown expression. In this case, of course, it was your son’s disappearance. By the way, I want to extend my sympathies to you at this time. What a terrible thing to have happened."

"Yes, it was," says Fred Marshall. "But Judy started acting strange even before . . ."

"Same thing, I’m afraid. She needed to be comforted, and her delusions — her delusional world — came into plain view, because that world provided exactly the comfort she needed. You must have heard some of it this morning, Mr. Marshall. Did your wife mention anything about going to other worlds?"

"Going to other worlds?" Jack asks, startled.

"A fairly typical schizophrenic ideation," Nurse Bond says. "More than half the people on this ward have similar fantasies."

"You think my wife is schizophrenic?"

Nurse Bond looks past Fred to take a comprehensive inventory of the patients in her domain. "I’m not a psychiatrist, Mr. Marshall, but I have had twenty long years of experience in dealing with the mentally ill. On the basis of that experience, I have to tell you, in my opinion your wife manifests the classic symptoms of paranoid schizophrenia. I wish I had better news for you." She glances back at Fred Marshall. "Of course, Dr. Spiegleman will make the final diagnosis, and he will be able to answer all your questions, explain your treatment options, and so forth."

The smile she gives Jack seems to congeal the moment it appears. "I always tell my new visitors it’s tougher on the family than it is on the patient. Some of these people, they don’t have a care in the world. Really, you almost have to envy them."

"Sure," Jack says. "Who wouldn’t?"

"Go on, then," she says, with a trace of peevishness. "Enjoy your visit."

A number of heads turn as they walk slowly across the dusty wooden floor to the nearest row of benches; many pairs of eyes track their progress. Curiosity, indifference, confusion, suspicion, pleasure, and an impersonal anger show in the pallid faces. To Jack, it seems as though every patient on the ward is inching toward them.

A flabby middle-aged man in a bathrobe has begun to cut through the tables, looking as though he fears missing his bus to work. At the end of the nearest bench, a thin old woman with streaming white hair stands up and beseeches Jack with her eyes. Her clasped, upraised hands tremble violently. Jack forces himself not to meet her eyes. When he passes her, she half-croons, half-whispers, "My ducky-wucky was behind the door, but I didn’t know it, and there he was, in all that water."

"Um," Fred says. "Judy told me her baby son drowned in the bath."

Through the side of his eye, Jack has been watching the fuzzy-haired man in the bathrobe rush toward them, openmouthed. When he and Fred reach the back of Judy Marshall’s bench, the man raises one finger, as if signaling the bus to wait for him, and trots forward. Jack watches him approach; nuts to Warden Bond’s advice. He’s not going to let this lunatic climb all over him, no way. The upraised finger comes to within a foot of Jack’s nose, and the man’s murky eyes search his face. The eyes retreat; the mouth snaps shut. Instantly, the man whirls around and darts off, his robe flying, his finger still searching out its target.

What was that, Jack wonders. Wrong bus?

Judy Marshall has not moved. She must have heard the man rushing past her, his rapid breath when he stopped, then his flapping departure, but her back is still straight in the loose green robe, her head still faces forward at the same upright angle. She seems detached from everything around her. If her hair were washed, brushed, and combed, if she were conventionally dressed and had a suitcase beside her, she would look exactly like a woman on a bench at the train station, waiting for the hour of departure.

So even before Jack sees Judy Marshall’s face, before she speaks a single word, there is about her this sense of leave-taking, of journeys begun and begun again — this suggestion of travel, this hint of a possible elsewhere.

"I’ll tell her we’re here," Fred whispers, and ducks around the end of the bench to kneel in front of his wife. The back of her head tilts forward over the erect spine as if to answer the tangled combination of heartbreak, love, and anxiety burning in her husband’s handsome face. Dark blond hair mingled with gold lies flat against the girlish curve of Judy Marshall’s skull. Behind her ear, dozens of varicolored strands clump together in a cobwebby knot.

"How you feeling, sweetie?" Fred softly asks his wife.

"I’m managing to enjoy myself," she says. "You know, honey, I should stay here for at least a little while. The head nurse is positive I’m absolutely crazy. Isn’t that convenient?"