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Black House

And this is why he has resented everything that kept him from standing before Judy Marshall: Judy is the doorway to her Twinner, to Tyler, and to the destruction of both the Fisherman and his opposite number in the Territories, the builder of the satanic, fiery structure a crow named Gorg showed Tansy Freneau. Whatever happens on Ward D today, it is going to be world-altering.

Heart thrumming in anticipation, Jack passes from intense sunlight into the vast ocher space of the lobby. The same bathrobed patients seem to occupy the many chairs; in a distant corner, the same doctors discuss a troublesome case or, who knows, that tricky tenth hole at Arden Country Club; the same golden lilies raise their luxuriant, attentive heads outside the gift shop. This repetition reassures Jack, it hastens his step, for it surrounds and cushions the unforeseeable events awaiting him on the fifth floor.

The same bored clerk responds to the proffer of the same password with an identical, if not the same, green card stamped VISITOR. The elevator surprisingly similar to one in the Ritz Hôtel on the Place Vendôme obediently trembles upward past floors two, three, and four, in its dowager-like progress pausing to admit a gaunt young doctor who summons the memory of Roderick Usher, then releases Jack on five, where the beautiful ocher light seems a shade or two darker than down there in the huge lobby. From the elevator Jack retraces the steps he took with his guide Fred Marshall down the corridor, through the two sets of double doors and past the way stations of Gerontology and Ambulatory Ophthalmology and Records Annex, getting closer and closer to the unforeseen unforeseeable as the corridors grow narrower and darker, and emerges as before into the century-old room with high, skinny windows and a lot of walnut-colored wood.

And there the spell breaks, for the attendant seated behind the polished counter, the person currently the guardian of this realm, is taller, younger, and considerably more sullen than his counterpart of the day before. When Jack asks to see Mrs. Marshall, the young person glances in disdain at his VISITOR card and inquires if he should happen to be a relative or — another glance at the card — a medical professional. Neither, Jack admits, but if the young person could trouble himself to inform Nurse Bond that Mr. Sawyer wishes to speak to Mrs. Marshall, Nurse Bond is practically guaranteed to swing open the forbidding metal doors and wave him inward, since that is more or less what she did yesterday.

That is all well and good, if it happens to be true, the young person allows, but Nurse Bond is not going to be doing any door opening and waving in today, for today Nurse Bond is off duty. Could it be that when Mr. Sawyer showed up to see Mrs. Marshall yesterday he was accompanied by a family member, say Mr. Marshall?

Yes. And if Mr. Marshall were to be consulted, say via the telephone, he would urge the young fellow presently discussing the matter in a commendably responsible fashion with Mr. Sawyer to admit the gentleman promptly.

That may be the case, the young person grants, but hospital regulations require that nonmedical personnel in positions such as the young person’s obtain authorization for any outside telephone calls.

And from whom, Jack wishes to know, would this authorization be obtained?

From the acting head nurse, Nurse Rack.

Jack, who is growing a little hot, as they say, under the collar, suggests in that case that the young person seek out the excellent Nurse Rack and obtain the required authorization, so that things might progress in the manner Mr. Marshall, the patient’s husband, would wish.

No, the young person sees no reason to pursue such a course, the reason being that doing so would represent a pitiful waste of time and effort. Mr. Sawyer is not a member of Mrs. Marshall’s family; therefore the excellent Nurse Rack would under no circumstances grant the authorization.

"Okay," Jack says, wishing he could strangle this irritating pip-squeak, "let’s move a step up the administrative ladder, shall we? Is Dr. Spiegleman somewhere on the premises?"

"Could be," the young person says. "How’m I supposed to know? Dr. Spiegleman doesn’t tell me everything he does."

Jack points to the telephone at the end of the counter. "I don’t expect you to know, I expect you to find out. Get on that phone now."

The young man slouches down the counter to the telephone, rolls his eyes, punches two numbered keys, and leans against the counter with his back to the room. Jack hears him muttering about Spiegleman, sigh, then say, "All right, transfer me, whatever." Transferred, he mutters something that includes Jack’s name. Whatever he hears in response causes him to jerk himself upright and sneak a wide-eyed look over his shoulder at Jack. "Yes, sir. He’s here now, yes. I’ll tell him."

He replaces the receiver. "Dr. Spiegleman’ll be here right away." The boy — he is no more than twenty — steps back and shoves his hands in his pockets. "You’re that cop, huh?"

"What cop?" Jack says, still irritated.

"The one from California that came here and arrested Mr. Kinderling."

"Yes, that’s me."

"I’m from French Landing, and boy, that was some shock. To the whole town. Nobody would have guessed. Mr. Kinderling? Are you kidding? You’d never believe that someone like that would . . . you know, kill people."

"Did you know him?"

"Well, in a town like French Landing, everybody sort of knows everybody, but I didn’t really know Mr. Kinderling, except to say hi. The one I knew was his wife. She used to be my Sunday school teacher at Mount Hebron Lutheran."

Jack cannot help it; he laughs at the incongruity of the murderer’s wife teaching Sunday school classes. The memory of Wanda Kinderling radiating hatred at him during her husband’s sentencing stops his laughter, but it is too late. He sees that he has offended the young man. "What was she like?" he asks. "As a teacher."

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