Gone Tomorrow
The cops had shotguns.
The feds had something else.
FORTY-TWO
SEVEN MEN. SEVEN WEAPONS. THE POLICE SHOTGUNS WERE Franchi SPAS 12s. From Italy. Probably not standard NYPD issue. The SPAS 12 is a futuristic, fearsome-looking gun, a semi-automatic 12-gauge smooth-bore weapon with a pistol grip and a folding stock. Advantages, many. Drawbacks, two. Cost was the first, but clearly some specialist division inside the police department had been happy to sign off on the purchase. Semi-automatic operation was the second drawback. It was held to be theoretically unreliable in a powerful shotgun. People who have to shoot or die worry about it. Mechanical failure happens. But I wasn’t about to bet on four mechanical failures happening all at once, for the same reason I don’t buy lottery tickets. Optimism is good. Blind faith is not.
Two of the feds had Glock 17s in their hands. Nine-millimetre automatic pistols from Austria, square, boxy, reliable, well proved through more than twenty years of useful service. I had retained a mild personal preference for the Beretta M9, like the Franchi also from Italy, but a million times out of a million and one the Glock would get the job done just as well as the Beretta.
Right then the job was to keep me standing still, ready for the main attraction.
The fed leader was in the exact centre of the semicircle. Three men on his left, three on his right. He was holding a weapon I had seen before only on television. I remembered it well. A cable channel, in a motel room in Florence, Texas. Not the Military Channel. The National Geographic Channel. A programme about Africa. Not civil wars and mayhem and disease and starvation. A wildlife documentary. Gorillas, not guerillas. A bunch of zoological researchers was tracking an adult male silverback. They wanted to put a radio tag in its ear. The creature weighed close to five hundred pounds. A quarter of a ton. They put it down with a dart gun loaded with primate tranquillizer.
That was what the fed leader was pointing at me.
A dart gun.
The National Geographic people had taken great pains to reassure their viewers that the procedure was humane. They had shown detailed diagrams and computer simulations. The dart was a tiny feathered cone, with a surgical steel shaft. The tip of the shaft was a sterile ceramic honeycomb laced with anaesthetic. The dart fired at high velocity and the shaft buried itself a half-inch into the gorilla. And stopped. The tip wanted to keep on going. Momentum. Newton’s Law of Motion. The shock and the inertia exploded the ceramic matrix and the potion contained in the honeycomb flung itself onward, not quite droplets, not quite an aerosol. Like a heavy mist spreading under the skin, flooding tissue the way a paper towel soaks up a spilled drop of coffee. The gun itself was a one-shot deal. It had to be loaded with a single dart, and a single tiny bottle of compressed gas to power it. Nitrogen, as I recalled. Reloading was laborious. It was better to hit first time.
The researchers had hit first time in the documentary film. The gorilla had been groggy after eight seconds, and in a coma after twenty. Then it had woken up in perfect health ten hours later.
But it had weighed twice what I weigh.
Behind me was the hotel’s reception counter. I could feel it against my back. It had a ledge about fourteen inches wide set probably forty-two inches off the floor. Bar height. Convenient for a customer to spread his papers on. Convenient to sign things on. Behind that was a drop to a regular desk-height counter for the clerks. It was maybe thirty inches deep. Or more. I wasn’t sure. But the total obstacle was a high and wide hurdle impossible to clear from a standing start. Especially when facing the wrong way. And pointless, anyway. Clearing the counter would not put me in another room. I would still be right there, just behind the counter rather than in front of it. No net gain, and maybe a big net loss if I landed awkwardly on a rolling chair or got tangled up in a telephone wire.
I turned my head and glanced behind me. No one there. The desk people had filed out, left and right. They had been coached, maybe even rehearsed. The seven men in front of me had a clear line of fire.
No way forward, no way back.
I stood still.
The fed leader was sighting down the barrel of his dart gun and aiming directly at my left thigh. My left thigh made a moderately large target. No fat under the skin. Just hard flesh, full of capillaries and other aids to rapid and efficient blood circulation. Completely unprotected, except for my new blue pants, which were made of thin summer-weight cotton.
Don’t come dressed like that, or you won’t get in. I tensed up, as it muscle tone would make the damn thing bounce off. Then I relaxed again. Muscle tone hadn’t helped the gorilla, and it wouldn’t help me. Way behind the seven men I could see a paramedic crew in a gloomy corner. Fire department uniforms. Three men, one woman. They were standing and waiting. They had a wheeled gurney ready.
When all else fails, start talking.
I said, ‘If you guys have more questions, I’m quite happy to sit down for a conversation. We could get some coffee, keep things civilized. Decaf, if you prefer. Since it’s late. They’ll make fresh, I’m sure. This is the Four Seasons, after all.’
The fed leader didn’t answer. He shot me instead. With the dart gun, from about eight feet, straight into the meat of my thigh. I heard a blast of compressed gas and felt pain in my leg. Not a sting. A dull, thumping blow, like a knife wound. Then a split second of nothing, like disbelief. Then a sharp, angry reaction. I thought if I was a gorilla I would want to tell the damn researchers to stay home and leave my ears alone.
The fed leader lowered the gun.
Nothing happened for a second. Then I felt my heart accelerate and my blood pressure spike and fall. I heard rushing in my temples, like Chinese food twenty years ago. I looked down. The dart’s feathered butt was tight against my pants. I pulled it out. The shaft was smeared with blood. But the tip was gone. The ceramic material had fragmented to powder and the liquid it had held in suspension was already inside me, doing its work. A fat dot of blood welled out of the wound and soaked into the cotton fabric of my pants, following the warp and the weft like a map of an epidemic spreading through city streets. My heart was beating hard. I could feel blood rushing around inside me. I wanted to stop it. No practical way to do that. I leaned back against the counter. Just temporary, I figured. For relief. The seven men in front of me seemed to slide suddenly sideways. Like a wheel play in baseball. I wasn’t sure if they had moved or if I had moved my head. Or perhaps the room had moved. Certainly there was a whole lot of fast rotation going on. Some kind of a spinning sensation. The edge of the counter hit me under the shoulder blades. Either it was rising up or I was sliding down. I put my hands back and flat on its surface. I tried to steady it. Or myself. No luck. The edge hit me in the back of the head. My internal clock wasn’t working right. I was trying to count seconds. I wanted to get to nine. I wanted to outlast the silverback. Some last vestige of pride. I wasn’t sure if I was succeeding.
My ass hit the ground. My vision went. It didn’t go dim or dark. It brightened instead. It got full of mad whirling silver shapes, flashing horizontally right to left. Like a fairground ride running a thousand times too fast. Then I started a sequence of crazy dreams, urgent and breathless and vivid. Full of action and colour. Afterwards I realized that the start of the dreams marked the point where I officially lost consciousness, lying there on the Four Seasons’ lobby floor.
FORTY-THREE
I DON’T KNOW WHEN EXACTLY I WOKE UP. THE CLOCK IN MY head still wasn’t running right. But I surfaced eventually. I was on a cot. My wrists and my ankles were fastened to the rails with plastic handcuffs. I was still fully dressed. Apart from my shoes. Those were gone. In my fuddled state I heard my dead brother’s voice in my head. A line he liked to use as a kid: Before you criticize someone, you should walk a mile in his shoes. Then when you start criticizing him, you’re a mile away and he’s got to run after you in his socks. I moved my toes. Then I moved my hips. I could feel that my pockets were empty. They had taken my stuff. Maybe they had listed it all on a form and bagged ii up.