I’ll Give You the Sun(86)
Author: Jandy Nelson

He shrugs. “There wasn’t anything.”

“Well, there is now.”

His eyes widen but he doesn’t ask me what I know, so I don’t offer, figuring he wants to find out for himself. He’s increased his pace, though. Okay, he’s speed-walking now to The Oracle.

I stop. “Noah, I have something to tell you too.” He turns around and I start talking—it’s the only way. “I have a feeling after I tell you this, you’ll never speak to me again, so first I want to say how sorry I am. I should’ve told you ages ago, but I was too afraid I’d lose you forever if I did.” I look down. “I still love you the most. I always will.”

“What is it?” he says.

I am my brother’s keeper, I tell myself, and then I just say it. “You didn’t not get into CSA. What I mean is you didn’t apply. That day?” I take a breath and blow out the words from the darkest place in me: “I never mailed your application.”

He blinks. And blinks. And blinks some more. His face is blank and I don’t know what’s happening inside him, when all of a sudden he throws up his arms and jumps into the air and his face is awash in rip-roaring joy—no, ecstasy: This is ecstasy.

“Did you hear me right?”

“Yes!” he cries. Now he’s laughing wildly and I’m sure he’s lost all his buttons until out of his mouth flies, “I thought I sucked! I thought I sucked! For so long. I thought it was only Mom seeing them that made them any good.” He arches his neck back. “And then . . . I realized, it doesn’t matter.”

“What doesn’t?” I look for anger or hatred in his face, but there’s none. It’s like the betrayal hasn’t registered. He’s only elated.

“Come with me,” he says.

Fifteen minutes later, we’re on an abandoned construction site looking at a crumbling cement wall. On it, in a rage of colors, is . . . everything.

There’s NoahandJude spray-painted from behind, shoulder to shoulder, our hair braided together into a river of light and dark that wraps around the whole mural. There’s Brian in the sky opening up a suitcase full of stars. There’s Mom and Guillermo kissing into a tornado of color at The Wooden Bird. There’s Dad emerging from the ocean like a sun god and morphing into a body made of ashes. There’s me in my invisibility uniform blending into a wall. There’s Noah crouched in a tiny space inside his own body. There’s Mom’s car bursting into flames as it busts through the sky. There’s Heather and Noah riding a giraffe. There’s Noah and Brian climbing a ladder that goes on forever. There are buckets and buckets of light pouring over two shirtless boys kissing. There’s Noah swinging a baseball bat at Brian who shatters into pieces. There’s Noah and Dad under a big bright red umbrella waiting out a storm. There’s Noah and me walking along the path the sun makes on the ocean but in opposite directions. There’s Noah being held midair in the palm of a giant and that giant is Mom. There’s already me surrounded by Guillermo’s stone giants working on NoahandJude.

There is the world, remade.

I take out my phone and start snapping pictures. “So gorgeous, Noah. So, so gorgeous. And it will get you into CSA immediately! I’m giving up my spot for you. I’ve already sent an email to Sandy about it. We three have a meeting Wednesday morning. He’s going to die. It doesn’t even look like spray paint, I don’t know what it looks likes except incredible, so, so incredible—”

“Don’t.” He grabs my phone to stop me from taking any more pictures. “I don’t want your spot. I don’t want to go to CSA.”

“You don’t?”

He shakes his head.

“Since when?”

“Since right this minute, I guess.”

“Noah?”

He kicks his foot into the ground. “It’s like I forgot how awesome it was before I cared if I was any good or good enough to get into some stupid art school. I mean, seriously, like who fucking cares?” The sun’s hitting his face. He looks clear, self-possessed, older, and for some reason, I think: We’re going to be okay. “It’s so not about that,” he continues. “It’s about magic.” He shakes his head. “How could I have forgotten that?” His smile’s as loopy as it was when he was drunk last night. I can’t believe he’s smiling at me like this. Why isn’t he furious with me? He goes on. “When I figured out you were going to Garcia’s”—Is that why he was going through my sketches that day?—“I knew everything was about to blow up, all my lies. And it’s like I blew up. Finally. I couldn’t just paint in my head anymore.” Aha! “I had to tell the truth out loud, somewhere, somehow. I had to let Mom know I heard her that day. I had to apologize to her, to Brian, to you and Dad, even to Garcia. I used the emergency money Dad left, bought all this spray paint, remembered this wall from running. I think I watched every video ever made on spray painting. First attempts have been painted over and over and—hey . . .” He tugs at my sleeve. “I’m not mad at you, Jude. I’m not going to be either.”

I can’t believe this. “Why? You should be. How can you not be?”

He shrugs. “I don’t know. I’m just not.”

He reaches for my hands, takes them in his. Our eyes meet and hold, and the world starts to fall away, time does, years rolling up like rugs, until everything that’s happened unhappens, and for a moment, it’s us again, more one than two.

“Wow,” Noah whispers. “IV Jude.”

“Yeah,” I say, the enchantment of him feeding my very cells. I feel a smile sweep across my face, remembering all the light showers, the dark showers, picking up rocks and finding spinning planets, days with thousands of pockets, grabbing moments like apples, hopping fences into forever.

“I forgot this,” I say, and remembering practically lifts me off my feet, lifts us both off our feet.

We. Are. Off. Our. Feet.

I look up. The air’s shimmering with light. The world is.

Or I’m imagining this. Of course I am.

“Feel that?” Noah says.

Mothers are the parachutes.

I did not imagine it.

For the record, woohoo! Not just art, but life—magic.

“Let’s go,” Noah says, and we’re running together into the woods like we used to, and I can see how he’ll draw it later, with the redwoods bowing, the flowers opening like houses for us to enter, the creek following behind us in winding wending color, our feet inches above the ground.