Joy Ride
“Then we’ll pop your cherry tomorrow.”
“Like a virgin no more.”
Yeah, we’re still flirting. I almost have no idea why we keep doing this, except for the obvious — it feels really fucking good.
14
Henley’s To-Do List
* * *
—Meet with lawyer.
* * *
—Ask John if we can really pull this off.
* * *
—Research drivetrain on Lamborghini Miura. Love that car hard!
* * *
—Figure out why I hate Max so much.
* * *
—Then figure out why I also don’t hate him.
* * *
—Blow-dry hair in that new way, with the wavy curls . . . because . . . I know why. ?
* * *
—No!!
* * *
—Just no!
* * *
—He probably won’t even notice my hair.
* * *
—Stop flirting with him.
* * *
—Really. I mean it.
* * *
—Don’t tell me it’s tempting.
* * *
—Woman-up and stop.
* * *
—Tomorrow. Stop tomorrow.
* * *
—No more innuendos. No more double meanings. No more metaphors for sexy times.
* * *
—Discuss other things with him.
* * *
—Ideas: hedgehogs, should guys be allowed to wear tank tops, merits of crunchy vs. soft-shell tacos, where do all the mismatched socks go, and how does David Copperfield pull off that crazy guessing trick.
* * *
—GUYS SHOULDN’T BE ALLOWED TO WEAR TANK TOPS. PERIOD. EVER.
15
When Henley and I board the Staten Island Ferry the next day, I decide this will be a good time to practice not checking her out, not staring, not wondering how she’d look if I peeled those sinfully tight jeans off her lush frame.
I think instead about the boat. How big it is. How many people it can hold. How hot the engine gets. Not how lovely she looks as she walks across the deck to the railing, her hair a little different today, with lush waves near the ends.
We grab a spot by the big yellow metal railing, parking our elbows on it. We have a round-trip to Staten Island and back to figure out where to start on the car. We chat for a few minutes about basic features of the Lambo as more passengers board. Soon, the boat pulls away, and the breeze lifts her hair. It’s long and wavy, and I want to run my fingers through those curls. Right now, though, her hair smacks her mouth, so she grabs a hair-tie from her wrist, and pulls it back while we talk about options for wheels and hubcaps.
As the ferry chugs across the water, cutting a path in its wake by the Statue of Liberty, we stop talking and watch the water for a few minutes. It feels natural and easy. She stares into the distance, as if she’s contemplating deep thoughts. It’s a new side of her. I’ve seen her fiery side, I’ve seen her flirty side, I’ve even seen her vulnerable side in snippets, and now I’m seeing something calmer. It’s fascinating because it’s so not her. Like watching a cat walk on its hind legs.
“I like big boats so far,” she announces.
“Good to hear.”
She raises her chin in Lady Liberty’s direction. Her hands wrap tightly around the railing. “Do you ever think about how David Copperfield made that disappear?”
I jerk back, surprised by her random question. “I can honestly say I’ve never thought about that.”
“I have,” she says in an almost wistful tone. “In this one special he made the statue completely disappear. Poof. I get that it’s magic and illusion, but I want to know how he did it. Did you ever see his show live?”
“No, but I went to Penn and Teller in Vegas with my brother when he graduated from med school. Those guys rock. Chase and I were determined to figure out how they pulled off every single trick.”
“That’s what seeing Copperfield was like for me.” She leans against the railing. We’re surrounded by people—tourists and locals. Some snap photos, others stare at the sea, and still others tap, tap, tap away on their phones. A mom with a big blue shoulder bag holds her young son’s hand as he gazes at the water. “We went to see his stage show when I was a teenager, and I was dying to know how he did this crazy trick where he selected random people in the audience and then had them reveal facts about themselves, like they’re wearing green boxers, or their favorite number is forty-nine.”
I haven’t seen that show, but I get the concept. “And the answers are actually inside a locked box that’s been on the stage the whole time?”
“Yes! Exactly. And I tried to work out if the audience members could be plants, and if not, then how and when did he or his crew get the information from them into the sealed boxes within the three minutes they were on stage, with the boxes hanging from the ceiling the whole time. Maybe it’s the engineer in me, but I was dying to know how he did it.”
“I’m the same. Chase is, too. After we saw Penn and Teller, we were determined to figure out this one trick where they put an audience member’s cell phone inside a fish and somehow the phone rang from the fish.”
“Ooh, I want to know how that’s done. Did you find out?”
“We tried. It drove us insane. At the show, they put the phone in a bucket on stage, then twenty seconds later, the phone rang in a box on an empty seat in the audience, and in that box was a fish and in that fish was the phone. After the show, we got on YouTube and looked up all the videos we could find of the fish in the phone. Every single one, I swear,” I say, recalling the plethora of search permutations we plied Google and YouTube with to find the answers. “Was it a real dead fish or a fake dead fish? Did they record the sound of the phone ringing and then play that back? We had to know. And we thought we could figure it out.”
“The mechanic and the doctor, after all,” she says, tucking a few windswept strands of hair behind her ear. “Please, please, please tell me how they made a cell phone ring from inside a fish. The answer has to be online somewhere. Did you find out?” She wobbles for a moment. I dart out a hand, curling it over her hip to steady her.
“Thank you. Darn sea legs.”
Nice legs. Gorgeous legs. Strong legs, I want to say. But I don’t. “You’d think the answer would be somewhere on the web. And we did unearth a few details here and there, but there was always some missing piece.”
“That’s how the Copperfield show was for me, too,” she says, shutting her eyes briefly and drawing a deep breath. She opens them. “You can make these logical conclusions about how he did a trick, and you can make assumptions, but then . . .”
I pick up the thread. “But when you get to the heart of the illusion—how he pulled it off—there are always some parts that will never make sense.”
“Maybe it’s a sign that we’re supposed to just enjoy magic shows more?”
“Or maybe our enjoyment comes in trying to figure it out.”
“I do like that part.” She smiles faintly, then she presses her fingertips against her temples. “I think I’m getting a headache.”
I furrow my brow. “You need something for it?”
She winces and closes her eyes again. When she opens them, she tips her forehead away from the water. “Mind if we go inside? I just want to sit down for a minute.”
“Let’s go,” I say. She walks ahead of me, slower than usual. Must be those sea legs.