Mud Vein

Chapter Twenty-Three

I haven’t cut myself since the day I met Isaac. I don’t know why. It might be because he made me feel things, and I didn’t need a blade to feel anymore. That’s why we do it, right? Cut ourselves to feel? Saphira would have said so. The dragon and her existential bullshit. “Since humans can choose to be eitherrrr cruel or good, they arrre, in fact, neither of these things essentially.”

Now I am feeling too many things. I crave my white room. What was the opposite of cutting? Wrapping yourself in a cocoon and never coming out. I roll myself in the feather comforter on the attic bed—that’s what we we’re calling it—the attic. My room. The place where my kidnapper put me in pajamas and laid me. Laid me out to what? I don’t know, but I’m starting to like it in the attic. I can’t hear the music as well when I’m wrapped in feathers. Landscape has not stopped playing. The first of our songs. The one he gave to me to let me know he understood.

“You look like a joint,” Isaac says. He hardly ever comes up here. I feel him touch my hair, which is sticking out of the top of my cocoon. I bury my face in the white and try to suffocate myself. I traded comforters with him. He took the red because I couldn’t stand to look at it.

“There is something downstairs you should probably see,” he says. He’s touching my hair in a way that’s lulling me. If he wants me to get up he’s going to have to stop doing that.

I came straight up here after we carried the wood into the house and discovered the electric fence. Isaac must have found something more outside.

“Unless it’s a dead body, I don’t want to see it.”

“You’d want to see a dead body?”

“Yes.”

“It’s not a dead body, but I need you to come with me.” He unrolls me from my self-made joint, and pulls me to my feet. He doesn’t let go right away. He squeezes where he holds. Then he pulls me along by my hand like I’m a child. I stumble after him. He leads me downstairs. To the wood closet. Pulling open the door, he holds me by the tops of my arms, forcing me to stand in front of him and look inside.

I see only the wood at first. Then he reaches over me with a pink Zippo and holds it as close to the inner wall as he can. Strange, I think, at first—there is writing on the walls. Some of the wood is obscuring it. I reach inside and move a couple of the logs over. I start shaking. He wraps his arms around my torso and squeezes, then leads me backwards to the sofa where I sit. Part of me wants to break away to go look some more, but I feel. I feel too much. If I don’t stop feeling I’m going to explode. Pages of my book—over and over—wall-papered on the inside of the closet like a slap in the face.

“What does it mean?” I ask Isaac.

He shakes his head. “A fan? I don’t know. It’s someone playing games.”

“How did we never notice that before?”

I want to press my fingers into the sides of his face and force him to look at me. I want him to tell me that he hates me, because for some reason he is here as a result of me. But he doesn’t. Nothing he does is encumbered by blame or anger. I wish I could be like that.

“We weren’t looking,” he says. “What else are we not seeing because we aren’t looking?”

“I have to read what’s in there.” I stand up, but Isaac pulls me back.

“It’s Chapter Nine.”

Chapter Nine?

I reach for it in my mind. Then I let it go. Chapter Nine hurts. I wish I hadn’t written it. I tried to get the publishers to take it out of the manuscript before the book went to print. But they felt it was necessary to the story.

The day the book hit shelves, I sat in my white room, holding back my vomit, knowing that everyone was reading Chapter Nine and living my pain. I don’t want to read it, so I stay sitting.

“Chapter Nine is—”

I cut him off.

“I know what it is,” I snap. “But why is it there?”

“Because someone is obsessed with you, Senna.”

“No one knew that was real! Who did you tell?”

I am screaming; so angry I want to throw something large. But the zookeeper didn’t give us anything large to throw. Everything is bolted, sewn into the walls and floors like this is a dollhouse.

“Stop it!” He grabs me, tries to slow me down.

His voice is getting loud. I release mine, too. If he’s going to yell I’m going to yell louder.

“Then why are you here?” I punch his chest with both of my fists.

He sits down abruptly. It throws me off. I was all geared up to fight.

“You’ve said those words to me so many times I’ve lost count. But this time it’s not my choice. I want to be with my wife. Planning for our baby. Not locked up like a prisoner with you. I don’t want to be with you.”

His words hurt so bad. My pride keeps my knees stiff, otherwise I would have buckled from the pain. I watch him walk up the stairs, my heart pounding to the beat of his anger. I guess I was wrong about him. I was wrong about so many things with regard to him.

I am wrapped in my cocoon again when Isaac comes up with dinner. He brings two plates and sets them on the floor by the fire before unwrapping me.

“Food,” he says. I lay on my back staring up at the ceiling for a minute, before throwing my legs off the side of the bed and slowly walking to his picnic.

He’s already eating, staring at the flames while he chews. I sit on my knees as far away from him as I can—on the corner of the rug—and pick up my plate. The plate is square. There are squares around its edge. It’s the first time I’m noticing. I’ve been eating off these dishes for weeks, but I’m just now observing things like color and pattern and shape. They are familiar to me. I touch one of the squares with my pinkie.

“Isaac, these plates…”

“I know,” he says. “You’re in a fog, Senna. I wish you’d wake up and help me get out of here.”

I set my plate on the floor. He’s right.

“The fence. How far does it run around the house?”

“About a mile in every direction. With the cliff on one side of us.”

“Why did he give us that much room?”

“Food,” Isaac says. “Wood?”

“So he means for us to take care of ourselves when the food runs out?”