Station Eleven

When Kirsten and August broke into abandoned houses—this was a hobby of theirs, tolerated by the conductor because they found useful things sometimes—August always gazed longingly at televisions. As a boy he’d been quiet and a little shy, obsessed with classical music; he’d had no interest in sports and had never been especially adept at getting along with people, which meant long hours home alone after school in interchangeable U.S. Army—base houses while his brothers played baseball and made new friends. One nice thing about television shows was that they were everywhere, identical programming whether your parents had been posted to Maryland or California or Texas. He’d spent an enormous amount of time before the collapse watching television, playing the violin, or sometimes doing both simultaneously, and Kirsten could picture this: August at nine, at ten, at eleven, pale and scrawny with dark hair falling in his eyes and a serious, somewhat fixed expression, playing a child-size violin in a wash of electric-blue light. When they broke into houses now, August searched for issues of TV Guide. Mostly obsolete by the time the pandemic hit, but used by a few people right up to the end. He liked to flip through them later at quiet moments. He claimed he remembered all the shows: starships, sitcom living rooms with enormous sofas, police officers sprinting through the streets of New York, courtrooms with stern-faced judges presiding. He looked for books of poetry—even rarer than TV Guide copies—and studied these in the evenings or while he was walking with the Symphony.

When Kirsten was in the houses, she searched for celebrity-gossip magazines, because once, when she was sixteen years old, she’d flipped through a magazine on a dust-blackened side table and found her past:

Happy Reunion: Arthur Leander Picks Up Son Tyler in LAX
SCRUFFY ARTHUR GREETS SEVEN-YEAR-OLD TYLER,
WHO LIVES IN JERUSALEM WITH HIS MOTHER,
MODEL/ACTRESS ELIZABETH COLTON.

The photograph: Arthur with a three-day beard, rumpled clothes, a baseball cap, carrying a small boy who beamed up at his father’s face while Arthur smiled at the camera. The Georgia Flu would arrive in a year.

“I knew him,” she’d told August, breathless. “He gave me the comics I showed you!” And August had nodded and asked to see the comics again.

There were countless things about the pre-collapse world that Kirsten couldn’t remember—her street address, her mother’s face, the TV shows that August never stopped talking about—but she did remember Arthur Leander, and after that first sighting she went through every magazine she could find in search of him. She collected fragments, stored in a ziplock bag in her backpack. A picture of Arthur alone on a beach, looking pensive and out of shape. A picture of him with his first wife, Miranda, and then later with his second wife, Elizabeth, a malnourished-looking blonde who didn’t smile for cameras. Then with their son, who was about the same age as Kirsten, and later still with a third wife who looked very similar to the second one.

“You’re like an archaeologist,” Charlie said, when Kirsten showed off her findings. Charlie had wanted to be an archaeologist when she was little. She was the second cello and one of Kirsten’s closest friends.

Nothing in Kirsten’s collection suggested the Arthur Leander she remembered, but what did she actually remember? Arthur was a fleeting impression of kindness and gray hair, a man who’d once pressed two comic books into her hands—“I have a present for you,” she was almost certain he’d said—and sometime after this moment, the clearest memory she retained from before the collapse: a stage, a man in a suit talking to her while Arthur lay still on his back with paramedics leaning over him, voices and crying and people gathering, snow somehow falling even though they were indoors, electric light blazing down upon them.

8

THE COMICS ARTHUR LEANDER gave her: two issues from a series no one else in the Symphony has ever heard of, Dr. Eleven, Vol. 1, No. 1: Station Eleven and Dr. Eleven, Vol. 1, No. 2: The Pursuit. By Year Twenty, Kirsten has them memorized.

Dr. Eleven is a physicist. He lives on a space station, but it’s a highly advanced space station that was designed to resemble a small planet. There are deep blue seas and rocky islands linked by bridges, orange and crimson skies with two moons on the horizon. The contrabassoon, who prior to the collapse was in the printing business, told Kirsten that the comics had been produced at great expense, all those bright images, that archival paper, so actually not comics at all in the traditionally mass-produced sense, possibly someone’s vanity project. Who would that someone have been? There is no biographical information in either issue, initials in place of the author’s name. “By M. C.” In the inside cover of the first issue, someone has written “Copy 2 of 10” in pencil. In the second issue, the notation is “Copy 3 of 10.” Is it possible that only ten copies of each of these books exist in the world?