The Young Elites
The Young Elites (The Young Elites #1)(19)
Author: Marie Lu
“Good morning,” he says, coming over to me and kissing me on both cheeks. He shows no signs of the hesitation he felt toward me after the gemstone incident. “Enzo and the others have returned.” He gives me a serious look. “Let’s not keep them waiting.”
I dress hurriedly. Raffaele guides me down into the secret tunnel again, the same direction we went when he tested my energy. This time, though, we continue walking past the room’s door and farther down the tunnel, until the darkness swallows us. Our footsteps echo. As we go, the ceiling seems to rise higher and higher. A cold, damp smell fills the air.
“How far does this go?” I whisper.
Raffaele’s smooth voice floats to me from up ahead. “Below the streets of Estenzia lie the catacombs of the dead.”
The catacombs. I shiver.
“These tunnels lead all across the city,” he continues. “They connect some of our safe houses, the homes and estates of our patrons. There are so many tunnels and tombs under the city that a great number have been forgotten over the ages.”
“It’s wet down here.”
“Spring rains. Luckily, we’re on high ground.”
We finally reach a tall set of double doors. Gems embedded in the ancient wood gleam in the low light. I recognize them as the same types of gems Raffaele used to test me.
“I asked one of our Elites to embed them,” he explains. “Only the heightened energy of an Elite’s touch can bond with gems. Their energy, in turn, moves the switches inside the doors to open them.” He nods at me. “Pay your respects, mi Adelinetta. We are in the realm of the dead now.”
He murmurs a brief prayer to Moritas, the goddess of Death, for safe passage, and I follow his example. When we finish, he closes a hand over one of the doors’ embedded gems.
The gems start to glow. As they do, an elaborate series of clicks sound out inside the wood, as if unlocking from within. I watch in wonder. An ingenious lock. Raffaele looks at me, and a spark of sympathy seems to light his eyes. “Be brave,” he whispers. Then he throws his weight against the doors. They open.
An enormous cavern the size of a ballroom looms before us. Lanterns on the walls illuminate pools of water that have collected along the floor. The walls are lined with stone archways and pillars that look like they were carved centuries ago, most standing tall, some collapsed and scattered on the ground. Glowing reflections of pale light on the water float, webbed and shifting, against the stone. Everything takes on a greenish cast in here. I can hear the drip of water coming from somewhere far away. Illuminated frescos of the gods decorate the walls, worn down from ancient receding water despite the artists’ best efforts. I can tell immediately that the art is centuries old, a style from a different era. Along the walls are niches filled with dusty urns, holding the ashes of forgotten generations.
But what really catches my attention is the small half circle of people waiting down here for us. Aside from Enzo, there are four of them. Each is turned in our direction, wearing a dark blue cloak of the Dagger Society. Their expressions are hard to read, eerie in the dim light. I try to gauge their ages. They must be about my age; those who survived the blood fever were children, after all. One Dagger is enormous, his robes barely masking thick, muscular arms that seem like they could rip a man to pieces. Beside him is a girl who looks small and slight, with a hand resting easily on her hip. She’s the only one who nods at me in greeting. An enormous golden eagle perches on her shoulder. I smile back hesitantly, my stare fixed nervously on the eagle. Beside her stands a lean boy, and last is a broad-shouldered girl with long copper curls, her skin too pale to be Kenettran. A girl from the Skylands, perhaps? She crosses her arms and regards me with a slight tilt to her head, and her eyes seem cold and curious. My smile fades.
Front and center before them stands Enzo, his hair the color of blood, his hands folded behind his back, and his gaze fixed unwaveringly on me. Gone is the hint of mischief in him that I saw when we first talked in my chamber. Today, his expression is hard and unforgiving, the young prince replaced with a cold-blooded assassin. The cavern’s strange lighting casts a shadow over his eyes.
We stop a few feet away from them. Raffaele addresses the group first. “This is Adelina Amouteru,” he says, his voice clear and beautiful. “Our newest potential recruit. She has the power of illusion, the ability to trick one’s perception of reality.”
I feel I should speak, but I’m not sure what to say. So I simply face them with as much courage as I can muster.
Enzo looks at me. I don’t know why, but I can feel myself drawn to him just like the first day we met. It is the straightness of his shoulders, the regal lift of his head. My alignment to ambition stirs at the sight. “Tell me, Adelina,” he begins. His words echo in the cavern. “Have you ever heard the rhyme ‘A newborn babe takes its first breath / and creates a storm that rains down death’?”
“Yes,” I reply.
“Nothing is isolated. Do one thing, however small, and it will affect something else on the other side of the world. In a way, you are already connected to each of us.”
He takes a step closer to me. The others remain still. “You are the first Elite to align so strongly with nightstone. There is a darkness in you, something that gives you immense strength.” He narrows his eyes. “Today, I want to bring that to the surface and find a way for you to call upon it as you wish. Learn how to bend it to your will. Do you accept?”
Do I have a choice? After a moment’s silence, I lift my chin. “Yes, Your Highness.”
Enzo gives me an approving nod. “Then we shall use everything within our power to evoke yours.”
Raffaele steps away from me. The fact that I’m now standing alone sends a spike of uncertainty through my chest, and I find myself wishing that he, the only person in here who doesn’t frighten me, would stay by my side. The others talk in low voices among themselves. I look around the half circle of their faces, searching for help, but the only kindness I get comes from the girl with the eagle on her shoulder. She sees my anxiety and gives me a subtle, encouraging nod. I try to latch on to that.
Enzo raises one hand in the air. “Let’s begin.” Then he snaps his fingers—and every torchlight in the cavern flickers out at once.
The room goes dark.
For a second, I panic. I’m completely blind. The dizziness that I felt yesterday with the nightstone now floods my senses. This is one of my worst fears, that I might someday lose my only good eye, and that I will then live in eternal darkness for the rest of my life. I look wildly around, blinking. Nothing but silence. Then, occasionally, a gust of cold wind—a murmur of breath—an echoing footstep. My heart pounds. Please, let there be a little light. I squint hard into the darkness, trying to force my sight to adjust.