Station Eleven (Page 55)
← Previous chap
Next chap →
- Page 1
- Page 1
- Page 2
- Page 2
- Page 3
- Page 3
- Page 4
- Page 4
- Page 5
- Page 5
- Page 6
- Page 6
- Page 7
- Page 7
- Page 8
- Page 8
- Page 9
- Page 9
- Page 10
- Page 10
- Page 11
- Page 11
- Page 12
- Page 12
- Page 13
- Page 13
- Page 14
- Page 14
- Page 15
- Page 15
- Page 16
- Page 16
- Page 17
- Page 17
- Page 18
- Page 18
- Page 19
- Page 19
- Page 20
- Page 20
- Page 21
- Page 21
- Page 22
- Page 22
- Page 23
- Page 23
- Page 24
- Page 24
- Page 25
- Page 25
- Page 26
- Page 26
- Page 27
- Page 27
- Page 28
- Page 28
- Page 29
- Page 29
- Page 30
- Page 30
- Page 31
- Page 31
- Page 32
- Page 32
- Page 33
- Page 33
- Page 34
- Page 34
- Page 35
- Page 35
- Page 36
- Page 36
- Page 37
- Page 37
- Page 38
- Page 38
- Page 39
- Page 39
- Page 40
- Page 40
- Page 41
- Page 41
- Page 42
- Page 42
- Page 43
- Page 43
- Page 44
- Page 44
- Page 45
- Page 45
- Page 46
- Page 46
- Page 47
- Page 47
- Page 48
- Page 48
- Page 49
- Page 49
- Page 50
- Page 50
- Page 51
- Page 51
- Page 52
- Page 52
- Page 53
- Page 53
- Page 54
- Page 54
- Page 55
- Page 55
- Page 56
- Page 56
- Page 57
- Page 57
- Page 58
- Page 58
- Page 59
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232
- Page 233
“I wasn’t being strategic,” Arthur says. “I dated them because I liked them.”
“Sure you did,” his agent says. “I’m just saying, it didn’t hurt.”
Did he actually date those women because he liked them, or was his career in the back of his mind the whole time? The question is unexpectedly haunting.
Arthur is thirty-six now, which makes Miranda twenty-four. He is becoming extremely, unpleasantly famous. He wasn’t expecting fame, although he secretly longed for it in his twenties just like everyone else, and now that he has it he’s not sure what to do with it. It’s mostly embarrassing. He checks into the Hotel Le Germain in Toronto, for example, and the young woman at the registration desk tells him what an honor it is to have him staying with them—“and if you don’t mind me saying so, I adored that detective film”—and as always in these situations he isn’t sure what to say, he honestly can’t tell if she really did enjoy the detective film or if she’s just being nice or if she wants to sleep with him or some combination of the above, so he smiles and thanks her, flustered and not sure where to look, takes the key card and feels her gaze on his back as he walks to the elevators. Trying to look purposeful, also trying to convey the impression that he hasn’t noticed and doesn’t care that half the population of the lobby is staring at him.
Once in the room he sits on the bed, relieved to be alone and unlooked-at but feeling as he always does in these moments a little disoriented, obscurely deflated, a bit at a loss, and then all at once he knows what to do. He calls the cell number that he’s been saving all these years.
14
MIRANDA IS AT WORK when Arthur Leander calls her again. She’s an administrative assistant at a shipping company, Neptune Logistics, where she spends quiet days at a desk shaped like a horseshoe in a private reception area outside her boss’s office door. Her boss is a young executive named Leon Prevant, and his door is almost always closed because he’s almost always out of town. There are acres of gray carpeting and a wall of glass with a view of Lake Ontario near her desk. There’s rarely enough work to keep her occupied for more than an hour or two at a time, which means she can often spend entire afternoons sketching—she’s working on a series of graphic novels—with long coffee breaks, during which she likes to stand by the glass wall and look out at the lake. When she stands here she feels suspended, floating over the city. The stillness of the water, the horizon framed by other glass towers and miniature boats drifting in the distance.
A soft chime signifies an incoming email. During the long period when her position was staffed by an incompetent temp—“The winter of our discontent,” Leon Prevant calls it—Leon took to outsourcing his travel planning to his subordinate Hannah’s administrative assistant Thea, who is impeccable in a smooth, corporate way that Miranda admires, and who has just forwarded Leon’s flight confirmation emails for next month’s trip to Tokyo. In Thea’s presence she feels ragged and unkempt, curls sticking up in all directions while Thea’s hair is glossy and precise, her clothes never quite right whereas Thea’s clothes are perfect. Miranda’s lipstick is always too gaudy or too dark, her heels too high or too low. Her stockings all have holes in the feet and have to be worn strategically with specific pairs of shoes. The shoes have scuffed heels, filled in carefully with permanent marker.
The clothes are a problem. Most of Miranda’s office clothes come from a bargain outlet just off Yonge Street, and they always look okay under the dressing room lights but by the time she gets home they’re all wrong, the black skirt shining with acrylic fibers, the blouse in a synthetic fabric that clings unpleasantly, everything cheap-looking and highly flammable.
“You’re an artist,” her boyfriend Pablo said that morning, watching her while she tried various layering options under a blouse that had shrunk in the wash. “Why would you want to conform to some bullshit corporate dress code?”
“Because my job requires it.”
“My poor corporate baby,” he said. “Lost in the machine.” Pablo talks about metaphorical machines a lot, also the Man. He sometimes combines the two, as in “That’s how the Man wants us, just trapped right there in the corporate machine.” They met at school. Pablo graduated a year ahead of her, and at first his career seemed so brilliant that she stopped being a waitress at his invitation: he sold a painting for ten thousand dollars and then a larger one for twenty-one thousand and he was poised to become the Next Big Thing, but then a show got canceled and he sold nothing else in the year that followed, absolutely nothing, so Miranda signed with a temp agency and found herself a short time later at her desk in a high tower outside Leon Prevant’s office door. “Hang in there, baby,” he said that morning, watching her dress. “You know this is only temporary.”
← Previous chap
Next chap →
- Page 1
- Page 1
- Page 2
- Page 2
- Page 3
- Page 3
- Page 4
- Page 4
- Page 5
- Page 5
- Page 6
- Page 6
- Page 7
- Page 7
- Page 8
- Page 8
- Page 9
- Page 9
- Page 10
- Page 10
- Page 11
- Page 11
- Page 12
- Page 12
- Page 13
- Page 13
- Page 14
- Page 14
- Page 15
- Page 15
- Page 16
- Page 16
- Page 17
- Page 17
- Page 18
- Page 18
- Page 19
- Page 19
- Page 20
- Page 20
- Page 21
- Page 21
- Page 22
- Page 22
- Page 23
- Page 23
- Page 24
- Page 24
- Page 25
- Page 25
- Page 26
- Page 26
- Page 27
- Page 27
- Page 28
- Page 28
- Page 29
- Page 29
- Page 30
- Page 30
- Page 31
- Page 31
- Page 32
- Page 32
- Page 33
- Page 33
- Page 34
- Page 34
- Page 35
- Page 35
- Page 36
- Page 36
- Page 37
- Page 37
- Page 38
- Page 38
- Page 39
- Page 39
- Page 40
- Page 40
- Page 41
- Page 41
- Page 42
- Page 42
- Page 43
- Page 43
- Page 44
- Page 44
- Page 45
- Page 45
- Page 46
- Page 46
- Page 47
- Page 47
- Page 48
- Page 48
- Page 49
- Page 49
- Page 50
- Page 50
- Page 51
- Page 51
- Page 52
- Page 52
- Page 53
- Page 53
- Page 54
- Page 54
- Page 55
- Page 55
- Page 56
- Page 56
- Page 57
- Page 57
- Page 58
- Page 58
- Page 59
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232
- Page 233