The Claw of the Conciliator (Page 24)
"Oh, yes," she said seriously, and looked up at me. Her small, tilted face was never more beautiful than it was then in the sunlight, or more pure. "Oh, yes I could, Severian. Just as you can be what they call you. What you sometimes are. Do you remember how we saw the cathedral leap into the sky and burn away in an instant? And how we went walking down a road between trees until we saw a light ahead, and it was Dr. Talos and Baldanders, ready to put on their show with Jolenta?"
"You held my hand," I said. "And we talked about philosophy. How could I forget?"
"When we came to the light and Dr. Talos saw us - do you remember what he said?"
I cast my mind back to that evening, the end of the day on which I had executed Agilus. In memory I heard the roar of the crowd, Agia's scream, and then the roll of Baldanders's drum. "He said that everyone had come now, and that you were Innocence, and I was Death."
Dorcas nodded solemnly. "That's right. But you're not really Death, you know, no matter how often he calls you that. You're no more Death than a butcher is because he cuts the throats of steers all day. To me you're Life, and you're a young man named Severian, and if you wanted to put on different clothes and become a carpenter or a fisherman, no one could stop you."
"I have no desire to leave my guild."
"But you could. Today. That's the thing to remember. People don't want other people to be people. They throw names over them and lock them in, but I don't want you to let them lock you in. Dr. Talos is worse than most. In his own way, he's a liar . . ."
She left the accusation unfinished, and I ventured, "I once heard Baldanders say he seldom lied."
"In his own way, I said. Baldanders is right, Dr. Talos doesn't lie the way other people understand lying. Calling you Death wasn't a lie, it was a . . . a . . ."
"Metaphor," I suggested.
"But it was a dangerous, bad metaphor and it was aimed at you like a lie."
"Do you think Dr. Talos hates me, then? I would have said he was one of the few people who've showed me real kindness since I left the Citadel. You, Jonas - who's gone now - an old woman I met while I was imprisoned, a man in a yellow robe - who also called me Death, by the way - and Dr. Talos. It's a short list, actually."
"I don't think he hates in the way we understand it," Dorcas replied softly. "Or for that matter, that he loves. He wants to manipulate everything he comes upon, to change it with his will. And since tearing down is easier than building, that's what he does most often."
"Baldanders seems to love him, though," I said. "I used to have a crippled dog, and I've seen Baldanders look at the doctor the way Triskele used to look at me."
"I understand you, but it doesn't strike me that way. Have you ever thought of how you must have looked, when you looked at your dog? Do you know anything about their past?"
"Only that they lived together near Lake Diuturna. The people there appear to have set fire to their house to drive them away."
"Do you think Dr. Talos could be Baldanders's son?"
The idea was so absurd that I laughed, happy to have the release from tension. "Just the same," Dorcas said, "that's how they act. Like a slow-thinking, hardworking father with a brilliant, erratic son. At least so it seems to me." It was not until we had left the bench and were walking back to the Green Room (which no more resembled the picture Rudesind had shown me than any other garden would have) that it occurred to me to wonder whether Dr. Talos's calling Dorcas "Innocence" had not been a metaphor of the same kind.
Chapter 23
JOLENTA
The old orchard and the herb garden beyond it had been so silent, so freighted with oblivion, that they had recalled to me the Atrium of Time, and Valeria with her exquisite face framed in furs. The Green Room was pandemonium. Everyone was awake now, and sometimes it seemed that everyone was shouting. Children climbed the trees to free the caged birds, pursued by their mothers' brooms and their fathers' missiles. Tents were being struck even while rehearsals continued, so that I saw a seemingly solid pyramid of striped canvas collapse like a flag thrown down and reveal beyond it the grass-green megathere rearing on his hind legs while a dancer pirouetted on his forehead.
Baldanders and our tent were gone, but in a moment Dr. Talos came rushing up and hurried us away down twisted walks, past balustrades and waterfalls and grottoes filled with raw topazes and flowering moss, to a bowl of clipped lawn where the giant labored to erect our stage under the eyes of a dozen white deer.
It was to be a much more elaborate stage than the one I had played upon within the Wall of Nessus. Servants from the House Absolute, it seemed, had brought timbers and nails, tools and paint and cloth in quantities much greater than we could possibly make use of. Their generosity had waked the doctor's bent toward the grandiose (which never slumbered deeply) and he alternated between assisting Baldanders and me with the heavier constructions and making frantic additions to the manuscript of his play.
The giant was our carpenter, and though he moved slowly, he worked so steadily, and with such great strength - driving a spike as thick as my forefinger with a blow or two and cutting a timber it would have taken me a watch to saw through with a few strokes of his ax - that he might have been ten slaves toiling under the whip.
Dorcas found a talent for painting that I at least was surprised by. Together, we erected the black plates that drink the sun, not only to gather energy for the night's performance, but to power the projectors now. These contrivances can provide a backdrop of a thousand leagues as easily as the interior of a hut, but the illusion is complete only in total darkness. It is best, therefore, to strengthen it with painted scenes behind, and Dorcas created those with skill, standing waist-high in mountains as she thrust her brushes through the daylight-faded images.
She touched my arm, and without speaking rolled enormous emerald eyes to indicate the edge of our natural amphitheater, where a grove of chestnuts lifted white candles among their pale leaves.
I saw that none of the others were looking at us and nodded. After Dorcas, Jolenta walking beside me seemed nearly as tall as Thecla, though she took small steps instead of Thecla's swinging strides. She was a head taller than Dorcas at least, her coiffure made her seem taller still, and she wore boots with high, riding heels.
"I want to see it," she said. "It's the only chance I shall ever have."
That was a palpable lie, but as though I believed it I said, "The opportunity is symmetric. Today and only today the House Absolute has the opportunity to see you."
She nodded; I had enunciated a profound truth. "I need someone - someone the ones I don't want to talk to will be afraid of. I mean all these showmen and mummers. When you were gone, no one but Dorcas would go with me, and no one is afraid of her. Could you draw that sword and carry it over your shoulder?" I did so.
"If I don't smile, make them leave. Understand?"
Grass much longer than that in the natural amphitheater, but softer than fern, grew among the chestnuts; the path was of quartz pebbles shot with gold. "If only the Autarch saw me, he would desire me. Do you think he will come to our play?"
To please her I nodded, but added, "I have heard he has little use for women, however beautiful, save as advisors, spies, and shield maids."
She stopped and turned, smiling. "That's just it. Don't you see? I can make anyone desire me, and so he, the One Autarch, whose dreams are our reality, whose memories are our history, will desire me too, unmanned or not. You have wanted women other than me, haven't you? Wanted them badly?"
I admitted I had.
"And so you think you desire me as you wished for them." She turned and began to walk again, hobbling a little, as it seemed she always did, but invigorated for the moment by her own argument. "But I make every man stiffen and every woman itch. Women who have never loved women wish to love me - did you know that? The same ones come to our performances again and again, and send me their food and their flowers, scarves, shawls, and embroidered kerchiefs with oh, such sisterly, motherly notes. They're going to protect me, protect me from my physician, from his giant, from their husbands and sons and neighbors. And the men! Baldanders has to throw them in the river."
I asked if she were lame, and as we emerged from the chestnuts, I looked about for some conveyance for her, but there was nothing.
"My thighs are chafed and it hurts to walk. I have an unguent for them that helps a bit, and a man bought a jennet for me to ride, but I don't know where it's pastured now. I'm really only comfortable when I can keep my legs apart."
"I could carry you."
She smiled again, displaying perfect teeth. "We'd both enjoy that, wouldn't we? But I'm afraid it wouldn't look dignified. No, I'll walk - I just hope I don't have to walk far. I won't walk far, in fact, no matter what happens. No one seems to be about but the mummers anyway. Perhaps the important people are sleeping late to prepare for the night's festivities. I'll have to sleep myself, four watches at least, before I go on."
I heard the sound of water sliding over stones, and having no better goal to seek made for it. We passed through a hawthorn hedge whose spotted white blossoms seemed from a distance to present an insurmountable barrier, and saw a river hardly wider than a street, on which swans sailed like sculptures of ice. There was a pavilion there, and beside it three boats, each shaped like the wide flower of the nenuphar. Their interiors were lined with the thickest silk brocade, and when I stepped into one I found that they exuded the odor of spices.
"Wonderful," Jolenta said. "They won't mind if we take one, will they? Or if they do, I'll be brought before someone important, just as it is in the play, and when he sees me he'll never let me leave. I'll make Dr. Talos stay with me, and you if you want. They'll have some use for you."
I told her I would have to continue my journey north and lifted her into the boat, putting my arm about a waist quite as slender as Dorcas's.
She lay down at once upon the cushions, where the uplifted petals gave her perfect complexion shade. It made me think of Agia, laughing in the sun as we descended the Adamnian Steps and boasting of the wide-brimmed hat she would wear next year. Agia had no feature that was not inferior to Jolenta's; she had been hardly taller than Dorcas, with hips over-wide and breasts that would have seemed meager beside Jolenta's overflowing plenitude; her long, brown eyes and high cheekbones were more expressive of shrewdness and determination than passion and surrender. Yet Agia had engendered a healthy rut in me. Her laughter, when it came, was often tinged with spite; but it was real laughter. She had sweated with her heat; Jolenta's desire was no more than the desire to be desired, so that I wished, not to comfort her loneliness as I had wished to comfort Valeria's, nor to find expression for an aching love like the love I had felt for Thecla, nor to protect her as I wished to protect Dorcas; but to shame and punish her, to destroy her self-possession, to fill her eyes with tears and tear her hair as one burns the hair of corpses to torment the ghosts that have fled them. She had boasted that she made tribadists of women. She came near to making an algophilist of me.
"This is my last performance, I know. I feel it. The audience is sure to hold someone . . ." She yawned and stretched. It appeared so certain her straining bodice would be unable to contain her that I averted my eyes. When I looked again, she was sleeping.
A slender oar trailed behind the boat. I took it and found that despite the circularity of the hull above the water, there was a keel below. In the center of the river the current ran strongly enough that I needed only to steer our slow progress along a series of gracefully sweeping meanders. Just as the hooded servant and I had passed unseen through suites and alcoves and arcades when he had escorted me along the hidden ways of the Second House, so now the sleeping Jolenta and I passed without noise or effort, almost completely unobserved, through leagues of garden. Couples lay on the soft grass beneath the trees and in the more refined comfort of summerhouses and seemed to think our craft hardly more than a decoration sent idly downstream for their delectation, or if they saw my head above the curved petals assumed us intent upon our own affairs. Lone philosophers meditated on rustic seats, and parties, not invariably erotic, proceeded undisturbed in clerestories and arboriums.
Eventually I came to resent Jolenta's sleep. I abandoned the oar and knelt beside her on the cushions. There was a purity in her sleeping face, however artificial, that I had never observed when she was awake. I kissed her, and her large eyes, hardly open, seemed almost Agia's long eyes, as her red-gold hair appeared almost brown. I loosened her clothing. She seemed half drugged, whether by some soporific in the heaped cushions or merely by the fatigue induced by our walk in the open and the burden of so great a quantity of voluptuous flesh. I freed her breasts, each nearly as large as her own head, and those wide thighs, which seemed to hold a new-hatched chick between them.
When we returned, everyone knew where we had been, though I doubt that Baldanders cared. Dorcas wept in private, vanishing for a time only to emerge with inflamed eyes and a heroine's smile. Dr. Talos, I think, was simultaneously enraged and delighted. I received the impression (which I hold to this day) that he had never enjoyed Jolenta, and that it was only to him, of all the men of Urth, that she would have given herself entirely willingly.