The Devil Colony (Page 52)

“And what about those murderous Lamanites who wiped them out?”

“Perhaps they were Indians who converted or made some truce with the newcomers. But eventually something changed over the passing centuries. Something frightened the Indian tribes and drove them to wipe out the Nephites.”

“So you’re saying the history described in the Book of Mormon is a mix of legend and actual events. That the lost tribe of Israelites—the Nephites—came to America and joined the Native American tribes. Then centuries later, something scared a group of those Indians—the Lamanites—and they wiped out that lost tribe.”

Hank nodded. “I know how that sounds, but there’s additional support, if you’ll hear me out.”

Painter waved for him to continue, but he still looked unconvinced.

“Take, for example, the amount of Hebrew sprinkled among the languages of Native American tribes. Research has shown there to be more similarities between the two languages than can be attributed to mere chance. For example, the Semitic Hebrew word for ‘lightning’ is baraq. In Uto-Aztecan, a Native American language group, the word is berok.” He touched his shoulder. “This is shekem in Hebrew, sikum in UA.” He ran a hand down the bare skin of his arm. “Hebrew geled. UA eled. The list goes on and on, well beyond coincidence.”

“Well and good, but how does this directly relate to the mummified remains in the cave?”

“Let me show you.” Hank stood and crossed to his backpack. He opened it, retrieved what he wanted, and returned to his seat. He placed the two gold tablets on the tabletop. “The Book of Mormon was written by Joseph Smith. It came from a series of golden plates gifted to him by the angel Moroni. It was said that the plates were written in a strange language—some say hieroglyphics, others that it was an ancient variant of Hebrew. Joseph Smith was given the ability to translate the plates and that translation became the Book of Mormon.”

Painter pulled one of the plates closer. “And the writing on this plate?”

“Before you arrived at the university last night, I had copied a few lines and forwarded them to a colleague of mine—an expert in ancient languages from the Middle East. I just heard back from him this morning. It intrigued him. He was able to recognize the script. It is a form of proto-Hebrew.”

Painter shifted forward in his seat, perhaps growing more intrigued himself.

“A scholar, Paracelsus, from the sixteenth century was the first to name this proto-Semitic script. He called it the Alphabet of the Magi. He claimed to have learned it from an angel, said it was the source of special abilities and magic. All of which makes me wonder if Joseph Smith hadn’t come upon a similar cache of such plates and translated them, learning the history of these ancient people—this lost tribe of Israelites—and recorded their story.”

Painter leaned back. Hank could see that doubt still remained in his eyes, but it was less scoffing and more thoughtful.

“Then there’s Iceland,” Hank said.

Painter nodded, already putting that piece of the puzzle into place. “If these ancient practitioners of nanotechnology—scholars, magi, whatever—were indeed from a lost tribe of Israelites, if they were fleeing across the Atlantic with something they wanted to preserve but were unsure if they’d make the journey—”

Hank finished the thought. “Once they hit Iceland, a land of fire in an icy sea, they would have found the perfect warm place to secure at least a portion of their volatile treasure before moving on to America.”

“Hank, I think you may—”

The crunch of tires on loose rock cut him off, sounding distant, yet coming fast. Painter swung around, a pistol appearing in his hand seemingly out of nowhere. He hurried to the door.

Kowalski sat up, belched, and looked around blearily. “What? . . . What did I miss?”

Painter checked the window, stared for a full minute as the road noise grew steadily louder—then visibly relaxed. “It’s your friends Alvin and Iris. Looks like they found our last guest.”

8:44 A.M.

The old dented Toyota SUV kicked up a swirl of sand and dust as it came to stop in the center of the stone cabins. Painter stepped out of the shade of the porch and into the blaze of the sun. Though it was barely morning, the light hammered the surrounding badlands into shades of crimson and gold. Squinting against the glare, he crossed to help Iris out of the driver’s seat. Alvin hopped out on the other side.

The elderly pair, wizened by the sun and well into their seventies, looked like old hippies with tie-dyed shirts and faded jeans fraying at the hems. But their clothing was accented with traditional Hopi elements. Iris had her long gray hair done in a Hopi-style braid, decorated with feathers and bits of turquoise. Alvin kept his long snow-white hair loose, his bare arms fitted with thick wristbands of beaten silver holding shells and chunks of turquoise. Both had embroidered belts of typical Hopi design, but rather than ox-hide or buckskin moccasins, they wore hiking boots straight out of some urban outfitter’s catalog.

“So at least you haven’t burned the place down,” Iris said, her hands on her hips, inspecting the homestead.

“Only the coffee,” Painter said with a wink.

He stepped past her to the rear door of the SUV to help the final member of the party. Last night, Painter had sent word that he wanted to speak to one of the Ute elders, someone from the same tribe as the grandfather who had murdered his own grandson to keep the cavern secret. Clearly that old man had known something. Maybe other elders of his tribe did, too. He needed someone who could shed some light on the meaning of the cave, on its history. Alvin and Iris had fetched the old man from the bus station so that Painter and the others could keep their exposure to a minimum.

Painter reached for the door handle, ready to assist the elder—only to have it open in front of him. A young man barely in his twenties climbed out. Painter searched the backseat, but no one else was there.

The slim figure stuck out his hand. He was dressed in a navy suit, carrying his jacket and a loose tie over one arm. His white shirt was open at the collar. “I’m Jordan Appawora, elder of the Northern Ute tribe.”

The absurdity of that statement did not escape the youth, who offered a shy, embarrassed grin. Painter suspected that shyness was not a habitual trait in the kid. His handshake was hard and firm. There was some muscle hidden under that suit. When he withdrew his hand, he swept his lanky black hair out of his eyes and looked around at the circle of pueblos.