The Transfer: A Divergent Story(2)
Author: Veronica Roth

The building smells like cooked food and smoke and sweat. I inch toward the ember, listening for voices that will warn me of a factionless presence here, but there’s only silence.

In the next room, the windows are blacked out by paint and dirt, but a little daylight makes it through them, so I can see that there are curled pallets scattered on the floor all over the room, and old cans with bits of dried food stuck inside them. In the center of the room is a small charcoal grill. Most of the coals are white, their fuel spent, but one is still lit, suggesting that whoever was here was here recently. And judging by the smell and the abundance of old cans and blankets, there were quite a few of them.

I was always taught that the factionless lived without community, isolated from one another. Now, looking at this place, I wonder why I ever believed it. What would be stopping them from forming groups, just like we have? It’s in our nature.

“What are you doing here?” a voice demands, and it travels through me like an electric shock. I wheel around and see a smudged, sallow-faced man in the next room, wiping his hands on a ragged towel.

“I was just . . .” I look at the grill. “I saw fire. That’s all.”

“Oh.” The man tucks the corner of the towel into his back pocket. He wears black Candor pants, patched with blue Erudite fabric, and a gray Abnegation shirt, the same as the one I’m wearing. He’s lean as a rail, but he looks strong. Strong enough to hurt me, but I don’t think he will.

“Thanks, I guess,” he says. “Nothing’s on fire here, though.”

“I can see that,” I say. “What is this place?”

“It’s my house,” he says with a cold smile. He’s missing one of his teeth. “I didn’t know I would be having guests, so I didn’t bother to tidy up.”

I look from him to the scattered cans. “You must toss and turn a lot, to require so many blankets.”

“Never met a Stiff who pried so much into other people’s business,” he says. He moves closer to me and frowns. “You look a little familiar.”

I know I can’t have met him before, not where I live, surrounded by identical houses in the most monotonous neighborhood in the city, surrounded by people in identical gray clothing with identical short hair. Then it occurs to me: hidden as my father tries to keep me, he’s still the leader of the council, one of the most prominent people in our city, and I still resemble him.

“I’m sorry to have bothered you,” I say in my best Abnegation voice. “I’ll be going now.”

“I do know you,” the man says. “You’re Evelyn Eaton’s son, aren’t you?”

I stiffen at her name. It’s been years since I heard it, because my father won’t speak it, won’t even acknowledge it if he hears it. To be connected to her again, even just in facial resemblance, feels strange, like putting on an old piece of clothing that doesn’t quite fit anymore.

“How did you know her?” He must have known her well, to see her in my face, which is paler than hers, the eyes blue instead of dark brown. Most people didn’t look closely enough to see all the things we had in common: our long fingers, our hooked noses, our straight, frowned eyebrows.

He hesitates a little. “She volunteered with the Abnegation sometimes. Handing out food and blankets and clothes. Had a memorable face. Plus, she was married to a council leader. Didn’t everyone know her?”

Sometimes I know people are lying just because of the way the words feel when they press into me, uncomfortable and wrong, the way an Erudite feels when she reads a grammatically incorrect sentence. However he knew my mother, it’s not because she handed him a can of soup once. But I’m so thirsty to hear more about her that I don’t press the issue.

“She died, did you know?” I say. “Years ago.”

“No, I didn’t know.” His mouth slants a little at one corner. “I’m sorry to hear that.”

I feel strange, standing in this dank place that smells like live bodies and smoke, among these empty cans that suggest poverty and the failure to fit in. But there is something appealing about it here too, a freedom, a refusal to belong to these arbitrary categories we’ve made for ourselves.

“Your Choosing must be coming up tomorrow, for you to look so worried,” the man says. “What faction did you get?”

“I’m not supposed to tell anyone,” I say automatically.

“I’m not anyone,” he says. “I’m nobody. That’s what being factionless is.”

I still don’t say anything. The prohibition against sharing my aptitude test result, or any of my other secrets, is set firmly in the mold that makes me and remakes me daily. It’s impossible to change now.

“Ah, a rule follower,” he says, like he’s disappointed. “Your mother said to me once that she felt like inertia had carried her to Abnegation. It was the path of least resistance.” He shrugs. “Trust me when I tell you, Eaton boy, that resisting is worth doing.”

I feel a rush of anger. He shouldn’t be telling me about my mother like she belongs to him and not to me, shouldn’t be making me question everything I remember about her just because she may or may not have served him food once. He shouldn’t be telling me anything at all—he’s nobody, factionless, separate, nothing.

“Yeah?” I say. “Look where resisting got you. Living out of cans in broken-down buildings. Doesn’t sound so great to me.” I start toward the doorway the man emerged from. I know I’ll find an alley door somewhere back there; I don’t care where as long as I can get out of here quickly.

I pick a path across the floor, careful not to step on any of the blankets. When I reach the hallway, the man says, “I’d rather eat out of a can than be strangled by a faction.”

I don’t look back.

When I get home, I sit on the front step and take deep breaths of the cool spring air for a few minutes.

My mother was the one who taught me to steal moments like those, moments of freedom, though she didn’t know it. I watched her take them, slipping out the door after dark when my father was asleep, creeping back home when sunlight was just appearing behind the buildings. She took them even when she was with us, standing over the sink with her eyes closed, so distant from the present that she didn’t even hear me when I spoke to her.

But I learned something else from watching her too, which is that the free moments always have to end.