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The Transfer: A Divergent Story

The Transfer: A Divergent Story(3)
Author: Veronica Roth

I get up, brushing flecks of cement from my gray slacks, and push the door open. My father sits in the easy chair in the living room, surrounded by paperwork. I pull up straight, tall, so that he can’t scold me for slouching. I move toward the stairs. Maybe he will let me go to my room unnoticed.

“Tell me about your aptitude test,” he says, and he points at the sofa for me to sit.

I cross the room, stepping carefully over a stack of papers on the carpet, and sit where he points, right on the edge of the cushion so I can stand up quickly.

“Well?” He removes his glasses and looks at me expectantly. I hear tension in his voice, the kind that only develops after a difficult day at work. I should be careful. “What was your result?”

I don’t even think about refusing to tell him. “Abnegation.”

“And nothing else?”

I frown. “No, of course not.”

“Don’t give me that look,” he says, and my frown disappears. “Nothing strange happened with your test?”

During my test, I knew where I was—I knew that while I felt like I was standing in the cafeteria of my secondary school, I was actually lying prostrate on a chair in the aptitude test room, my body connected to a machine by a series of wires. That was strange. But I don’t want to talk to him about it now, not when I can see the stress brewing inside him like a storm.

“No,” I say.

“Don’t lie to me,” he says, and he seizes my arm, his fingers tight like a vise. I don’t look at him.

“I’m not,” I say. “I got Abnegation, just as expected. The woman barely looked at me on my way out of the room. I promise.”

He releases me. My skin pulses from where he gripped it.

“Good,” he says. “I’m sure you have some thinking to do. You should go to your room.”

“Yes, sir.”

I get up and cross the room again, relieved.

“Oh,” he says. “Some of my fellow council members are coming over tonight, so you should eat dinner early.”

“Yes, sir.”

Before the sun goes down, I snatch food from the cupboards and the refrigerator: two dinner rolls and raw carrots with the greens still attached, a hunk of cheese and an apple, leftover chicken without any seasoning on it. The food all tastes the same, like dust and paste. I keep my eyes fixed on the door so I don’t collide with my father’s coworkers. He wouldn’t like it if I was still down here when they came.

I am finishing off a glass of water when the first council member appears on the doorstep, and I hurry through the living room before my father reaches the door. He waits with his hand on the knob, his eyebrows raised at me as I slip around the banister. He points up the stairs and I climb them, fast, as he opens the door.

“Hello, Marcus.” I recognize the voice as Andrew Prior’s. He’s one of my father’s closest friends at work, which means nothing, because no one really knows my father. Not even me.

From the top of the stairs I look down at Andrew. He’s wiping his shoes on the mat. I see him and his family sometimes, a perfect Abnegation unit, Natalie and Andrew, and the son and daughter—not twins, but both two years younger than I am in school—all walking sedately down the sidewalk and bobbing their heads at passersby. Natalie organizes all the factionless volunteer efforts among the Abnegation—my mother must have known her, though she rarely attended Abnegation social events, preferring to keep her secrets like I keep mine, hidden away in this house.

Andrew meets my eyes, and I rush down the hallway to my bedroom, closing the door behind me.

To all appearances, my room is as sparse and clean as every other Abnegation room. My gray sheets and blankets are tucked tightly around the thin mattress, and my schoolbooks are stacked in a perfect tower on my plywood desk. A small dresser that contains several identical sets of clothing stands next to the small window, which lets in only the barest sliver of sunlight in the evenings. Through it I can see the house next door, which is just the same as the one I’m in, except five feet to the east.

I know how inertia carried my mother to Abnegation, if indeed that man was speaking the truth about what she’d told him. I can see it happening to me, too, tomorrow when I stand among the bowls of faction elements with a knife in my hand. There are four factions I don’t know or trust, with practices I don’t understand, and only one that is familiar, predictable, comprehensible. If choosing Abnegation won’t lead me to a life of ecstatic happiness, at least it will lead me to a comfortable place.

I sit on the edge of the bed. No, it won’t, I think, and then I swallow the thought down, because I know where it comes from: the childish part of me that is afraid of the man holding court in the living room. The man whose knuckles I know better than his embrace.

I make sure the door is closed and wedge the desk chair under the knob just in case. Then I crouch next to the bed and reach under it to the trunk I keep there.

My mother gave it to me when I was young, and told my father it was for spare blankets, that she had found it in an alley somewhere. But when she put it in my room, she didn’t fill it with spare blankets. She closed my door and touched her fingers to her lips and set it on my bed to open it.

Inside the unlocked trunk was a blue sculpture. It looked like falling water, but it was really glass, perfectly clear, polished, flawless.

“What does it do?” I asked her at the time.

“It doesn’t do anything obvious,” she said, and she smiled, but the smile was tight, like she was afraid of something. “But it might be able to do something in here.” She tapped her chest, right over the sternum. “Beautiful things sometimes do.”

Since then I have filled the trunk with objects that others would call useless: old spectacles without glass in them, fragments of discarded motherboards, spark plugs, stripped wires, the broken neck of a green bottle, a rusted knife blade. I don’t know if my mother would have called them beautiful, or even if I would, but each of them struck me the same way that sculpture did, as secret things, and valuable ones, if only because they were so overlooked.

Instead of thinking about my aptitude test result, I pick up each object and turn it in my hands so I’ve memorized every part of every one.

I wake with a start to Marcus’s footsteps in the hallway just outside the bedroom. I’m lying on the bed with the objects strewn on the mattress around me. His footsteps are slowing down as he comes closer to the door, and I pick up the spark plugs and motherboard pieces and wires and throw them back into the trunk and lock it, stowing the key in my pocket. I realize at the last second, as the doorknob starts to move, that the sculpture is still out, so I shove it under the pillow and slide the trunk under the bed.

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