61 Hours (Page 45)

The guy said nothing.

Turner said, ‘So here’s the deal. Talk to me now, answer all my questions, full and complete disclosure, all the details, and we’ll keep the treason absolutely private.’

The guy said nothing.

Turner said, ‘But if you don’t talk to me, we’ll do the investigation in public. Right out in the open. We’ll tell CNN where your folks live, and we’ll call the navy about your brother. Not the officers. We’ll call his buddies first.’

Silence for a long moment.

Then the guy said, ‘OK.’

‘OK what?’

‘OK, I’ll talk to you.’

‘OK you’ll talk to me what?’

‘OK, I’ll talk to you, ma’am.’

Turner rolled her window down. She called out, ‘Tell the pilot to go get his dinner.’

Plato put the phone down on his pilot. The guy had called to say the weather in the north was due to take a turn for the worse at some point within the next twenty-four hours. More snow. Which Plato already knew. He had satellite television. He had a huge mesh dish bolted to a concrete pad right next to his house. The dish was connected to a box, and the box was connected to an enormous Sony LCD screen on the end wall of the living room. It was tuned to the Weather Channel.

The Sony screen was not the only thing on the end wall. There were eighteen oil paintings next to it, all jostling for space. There were forty-three more on the two long walls. Twenty on the other end wall. A total of eighty-one works of art. Mostly second-rate pieces by fourth-rate painters. Or third-rate pieces by third-rate painters. Or fourth-rate pieces by second-rate painters. One was a Monet, supposedly, but Plato knew it had to be a forgery. Monet was a prolific artist. Widely distributed, often copied. Someone had once said that of the two thousand pictures Monet had painted in his lifetime, six thousand were in the United States alone. Plato wasn’t a fool. He knew what he had. And he knew why he had it. He didn’t much care for art. Not his thing. Each canvas was a souvenir, that was all, of a ruined life.

In the spaces between the paintings he had nailed small inverted horseshoe-shaped arrays of thin brass pins. Dozens of them, maybe even hundreds. He hadn’t counted for a long time. Over each array was draped as many necklaces or bracelets as would fit. He had diamonds, emeralds, rubies, and sapphires. Gold chains, silver chains, platinum chains. He had earrings hung from single pins. He had finger rings looped over single pins. Wedding bands, engagement rings, signet rings, class rings, big diamond solitaires.

Hundreds and hundreds of them.

Maybe even thousands.

It was all a question of time.

It was a subject that interested him. It was dominated by class. How long could people last, after running out of cash, before they had to start selling their bodies? How many layers did people have, between defeat and surrender, between problem and ruin? For poor people, really no time at all, and no layers at all. They needed his product, so as soon as their meagre paycheques ran out, which was usually payday itself, they would start fighting and stealing and cheating, and then they would take to the streets, and they would do whatever it was they had to do. He got nothing but money from them.

Rich people were different. Bigger paycheques, which lasted longer, but not for ever. Then would start the slow depletion of savings accounts, stocks, bonds, investments of all kinds. Then desperate hands would root through drawers and jewellery boxes. First would come forgotten pieces, pieces that were not liked, pieces that had been inherited. Those items would find their way to him after long slow journeys, from nice suburbs in Chicago and Minneapolis and Milwaukee and Des Moines and Indianapolis. They would be followed by paintings snatched from walls, rings pulled from fingers, chains unlatched from necks. A second wave would follow, as parents were looted, then a third, as grandparents were visited. When nothing was left, the rich people would succumb, too. Maybe at first in hotels, fooling themselves, but always eventually out on the street, in the cold, kneeling in filthy alleyways, men and women alike, doing what needed to be done.

All a matter of time.

Holland parked in the lot and headed for his office. Peterson and Reacher headed for the squad room. It was deserted, as usual. No messages on the back corner desk, nothing in voice mail. Reacher picked up the phone and then put it back. He tapped the space bar on the keyboard and the computer screen lit up and showed a graphic of a police shield that had Bolton Police Department written across it. The graphic was large and a little ragged. A little digital. A tower unit a yard away was humming and whirring and chattering. A hard drive, getting up to speed.

Reacher asked, ‘Have you got databases in here?’

Peterson asked, ‘Why?’

‘We could check on Plato. He seems to be the prime mover here, whoever he is.’

Peterson sat down at the next desk along and tapped his own keyboard. Clicked here, clicked there, typed a password. Then some kind of dialogue box must have come up, because Reacher saw him use his left forefinger on the shift key, his right forefinger on a capital P, then on a lower case l, then an a, a t, and an o.

Plato.

‘Nothing,’ Peterson said. ‘Just a redirect to Google, who says he’s a Greek philosopher.’

‘Got a list of known aliases?’

Peterson typed some more. Nine keystrokes. Presumably aka, then a space, then Plato.

‘South American,’ he said. ‘Citizenship unknown. Real name unknown. Age unknown. Believed to live in Mexico. Believed to own pawn shops in five United States cities, suspected narcotics trafficker, suspected involvement in prostitution.’

‘Nice guy.’

‘No arrest record. Nothing in Mexico, either.’

‘Is that it?’

‘The federal databases will have more. But I can’t access them.’

Reacher picked up the phone again, and then put it back. Rock Creek had more on its plate than his trivial business. He wondered if he was becoming an embarrassment. Or a bore. Like the grizzled old noncoms who still lived close to army posts and sat in grunt bars all night, full of piss and wind and out-of-date bullshit and nonsense. Or like retired city cops, the ones who hadn’t saved enough to move south, still patronizing the same old saloons and butting in on every conversation.

Peterson said, ‘We could go up to the prison. It’s in the federal system. They’ve got computers. I know some of the guys there.’

Five minutes to five in the afternoon.

Eleven hours to go.

Chapter Twenty-Eight

THE PRISON WAS FIVE MILES DUE NORTH, AT THE END OF A continuation of the same road that led up to town from the highway. The road was straight, as if a planner had laid a ruler on a map. It was ploughed and salted and pretty much clear from constant use. Visiting day. The shuttle buses had been busy.

The five miles took eight minutes. For the first seven Reacher saw nothing ahead except a late gloomy sky and ice in the air. Then he saw the prison. There was a diffuse glow on the far horizon that resolved itself into hundreds of separate puffballs of blue-white light high above a glittering razor-wire fence. The fence was long and maybe twelve feet tall. Maybe twelve feet thick. It had inner and outer screens of taut wire. The space in between was piled high with loose coils. More loose coils were fixed along the top. They were moving and swaying in the wind, flashing and winking in the light. The light came from stadium fixtures on tall poles set every thirty feet. Huge upside-down metal bowls in groups of four, with powerful bulbs in them. There were watchtowers set every hundred feet, tall splay-legged structures with lit-up glassed-in cabins and outside walkways. There were searchlights on the walkways. The lights on the poles were blazing, and their glow came back up off the undisturbed snow seemingly twice as bright. Behind the fence was a three-hundred-yard expanse of lit-up snow-covered yard, and then huddled in the centre of the giant rectangle was a cluster of new concrete buildings. They covered an area the size of a large village. Or a small town. The buildings were all lit up, inside and out. They had small mean windows in heavy blank façades, like the portholes in the side of a ship. Their roofs were all covered with snow, like a thick uniform blanket.