Taltos (Page 2)

Taltos (Lives of the Mayfair Witches #3)(2)
Author: Anne Rice

That had been her allure, that she was a thing for hundreds of children to enjoy; a pinnacle had been reached in her, of craft and mass production. Even her factory clothes of silk represented that special achievement. Not for one, but for many.

There had been years when, wandering the world, he had carried her with him, taking her out of the suitcase at times just to look into her glass eyes, just to tell her his thoughts, his feelings, his dreams. In the night, in squalid lonely rooms, he had seen the light glint in her ever-watchful eyes. And now she was housed in glass, and thousands saw her yearly, and all the other antique Bru dolls now clustered around her. Sometimes he wanted to sneak her upstairs, put her on a bedroom shelf. Who would care? Who would dare say anything? Wealth surrounds one with a blessed silence, he thought. People think before they speak. They feel they have to. He could talk to the doll again if he wanted to. In the museum, he was silent when they met, the glass of the case separating them. Patiently she waited to be reclaimed, the humble inspiration for his empire.

Of course this company of his, this enterprise of his, as it was so often called by papers and magazines, was predicated on the development of an industrial and mechanical matrix which had existed now for only three hundred years. What if war were to destroy it? But dolls and toys gave him such sweet happiness that he imagined he would never hereafter be without them. Even if war reduced the world to rubble, he would make little figures of wood or clay and paint them himself.

Sometimes he saw himself this way, alone in the ruins. He saw New York as it might have appeared in a science-fiction movie, dead and silent and filled with overturned columns and broken pediments and shattered glass. He saw himself sitting on a broken stone stairway, making a doll from sticks and tying it together with bits of cloth which he took quietly and respectfully from a dead woman’s silk dress.

But who would have imagined that such things would have caught his fancy? That wandering a century ago through a wintry street in Paris, he would turn and gaze into a shop window, into the glass eyes of his Bru, and fall passionately in love?

Of course, his breed had always been known for its capacity to play, to cherish, to enjoy. Perhaps it was not at all surprising. Though studying a breed, when you were one of the only surviving specimens of it, was a tricky situation, especially for one who could not love medical philosophy or terminology, whose memory was good but far from preternatural, whose sense of the past was often deliberately relinquished to a “childlike” immersion in the present, and a general fear of thinking in terms of millennia or eons or whatever people wanted to call the great spans of time which he himself had witnessed, lived through, struggled to endure, and finally cheerfully forgotten in this great enterprise suited to his few and special talents.

Nevertheless, he did study his own breed, making and recording meticulous notes on himself. And he was not good at predicting the future, or so he felt.

A low hum came to his ears. He knew it was the coils beneath the marble floor, gently heating the room around him. He fancied he could feel the heat, coming up through his shoes. It was never chilly or smotheringly hot in his tower. The coils took care of him. If only such comfort could belong to the entire world outside. If only all could know abundant food, warmth. His company sent millions in aid to those who lived in deserts and jungles across the seas, but he was never really sure who received what, who benefited.

In the first days of motion pictures, and later television, he had thought war would end. Hunger would end. People could not bear to see it on the screen before them. How foolish a thought. There seemed to be more war and more hunger now than ever. On every continent, tribe fought tribe. Millions starved. So much to be done. Why make such careful choices? Why not do everything?

The snow had begun again, with flakes so tiny he could barely see them. They appeared to melt when they hit the dark streets below. But those streets were some sixty floors down. He couldn’t be certain. Half-melted snow was piled in the gutters and on the nearby roofs. In a little while, things would be freshly white again, perhaps, and in this sealed and warm room, one could imagine the entire city dead and ruined, as if by pestilence which did not crumble buildings but killed the warm-blooded beings which lived within them, like termites in wooden walls.

The sky was black. That was the one thing he did not like about snow. You lost the sky when you had it. And he did so love the skies over New York City, the full panoramic skies which the people in the streets never really saw.

“Towers, build them towers,” he said. “Make a big museum high up in the sky with terraces around it. Bring them up in glass elevators, heavenward to see …”

Towers for pleasure among all these towers that men had built for commerce and gain.

A thought took him suddenly, an old thought, really, that often came to him and prodded him to meditate and perhaps even to surmise. The first writings in all the world had been commercial lists of goods bought and sold. This was what was in the cuneiform tablets found at Jericho, inventories…. The same had been true at Mycenea.

No one had thought it important then to write down his or her ideas or thoughts. Buildings had been wholly different. The grandest were houses of worship—temples or great mud-brick ziggurats, faced in limestone, which men had climbed to sacrifice to the gods. The circle of sarsens on the Salisbury Plain.

Now, seven thousand years later, the greatest buildings were commercial buildings. They were inscribed with the names of banks or great corporations, or immense private companies such as his own. From his window he could see these names burning in bright, coarse block letters, through the snowy sky, through the dark that wasn’t really dark.

As for temples and places of worship, they were relics or almost nought. Somewhere down there he could pick out the steeples of St. Patrick’s if he tried. But it was a shrine now to the past more than a vibrant center of communal religious spirit, and it looked quaint, reaching to the skies amid the tall, indifferent glass buildings around it. It was majestic only from the streets.

The scribes of Jericho would have understood this shift, he thought. On the other hand, perhaps they would not. He barely understood it himself, yet the implications seemed mammoth and more wonderful than human beings knew. This commerce, this endless multiplicity of beautiful and useful things, could save the world, ultimately, if only … Planned obsolesence, mass destruction of last year’s goods, the rush to antiquate or render irrelevent others’ designs, it was the result of a tragic lack of vision. Only the most limited implications of the marketplace theory were to blame for it. The real revolution came not in the cycle of make and destroy, but in a great inventive and endless expansion. Old dichotomies had to fall. In his darling Bru, and her factory-assembled parts, in the pocket calculators carried by millions on the streets, in the light beautiful stroke of rolling-ball pens, in five-dollar Bibles, and in toys, beautiful toys sold on drugstore shelves for pennies—there lay salvation.