Shelter in Place (Page 94)

This lock of hair was Tracey Lieberman’s.

He took photos, sealed the original and the lock of hair in an evidence bag.

“Just come, bitch. Just stop screwing around and come. We’ll finish this.”

He contacted Jacoby, shot her the photos, did the same with Essie.

Then he swiveled in his chair, gazed out the window at the flowering bushes. Azaleas—even he knew that much. They made a nice show. He had a couple of them at his house, in flaming red, and the wild dogwood—CiCi had identified—had burst out in late March between snowstorms.

The fishing boats would be out, and the lobstermen. Before long they’d be joined by sailboats, powerboats, boogie boards, sunbathers, and sandcastles.

Whenever she came, however she got there, he’d find a way to stop her from leaving a scar on the island.

He flicked a finger down the bill of his cap, got up to brief his deputies. The dog, toy in his mouth, followed him.

* * *

In her studio, Simone circled the clay. She searched for imperfections, for possibilities of improvements. For the last few days, she’d touched up details, cutting minute bits of clay with hook and rake tools, smoothing out with kidney tools, delicately brushing with solvent to remove those tool marks.

She knew, from experience, an artist could cut and rake and smooth a piece—searching for perfection—and destroy the soul of it.

Her hands itched for her tools, but she walked out, called down the stairs to where she knew CiCi sat with her morning coffee.

“CiCi, could you come up, take another look at Reed?”

“I’m always ready to look at Reed. You haven’t let me look for days—covering him up even when you had Hank and Essie up there.”

“I know. He wasn’t ready. I know he’s ready now, but I can’t stop looking for reasons to tweak just a little more. Stop me,” she said as CiCi reached the landing. “Or tell me to keep going.”

CiCi stepped in, flipped her long braid behind her back, then circled as Simone had.

The image stood two feet in height on a base she’d created to resemble a platform of rough stone. She’d caught him, as she’d envisioned, in mid-swing, the sword gripped two-handed over his left shoulder, his body turned at the hip, legs braced, with the right foot planted ahead of the left, and in a pivot.

His hair, tumbled and with that hint of curl, seemed to flow with the motion. For his face, she’d sculpted the barely banked rage and cold purpose.

Behind his left leg, Barney stood, leaning in, head up, eyes full of hope and trust.

“God, he’s gorgeous,” CiCi stated as she circled.

“In person, or here?”

“Both. Absolutely both. Simone, this is brilliant. It’s stunning, and it’s absolutely Reed. The Protector you said you called it. And that’s just perfect. Leave it alone. Perfect’s often the enemy of done, but you’ve already gotten perfect.”

She traced a finger a hairbreadth from the scars. “Perfectly flawed. Real. Male. Human.”

“It got more important to me every day. And the more important … I want to cast it in bronze.”

“Yes. Yes. Oh, I can see that.” CiCi shifted, slipped an arm around Simone’s waist. “Will you let him see the clay model?”

“Nope.”

“Good. Let him wait.”

“I’ve let it dry. Most of me knew it was done. I can start the molding process this morning.”

“I’ll let you get to it. My talented girl? It’s going to be a masterpiece.”

“Okay then,” she murmured when she was alone.

She got her brush, the latex rubber mixture. Stopped herself, got a bottle of water, turned on music, going with one of CiCi’s New Agey playlists. Soothing harps, bells, flutes.

With the brush, she painted the mixture onto the clay. Avoiding air bubbles while coating every millimeter took patience and care, and time.

She knew his body so well now, the length of torso, the line of hip, the exact placement of the scars.

Once done, she stepped back, searching for any tiny area she might have missed. Then she cleaned her brush, put the mix away.

This process took more patience. She’d apply the next coat the following morning, then another. Four coats, she determined, before she made the mother mold of plaster.

When that dried, she’d remove the mother mold, cut the rubber away from the clay. She would have the negative image, and could pour the wax replica.

She decided she’d wait until she reached that stage before booking the foundry she used on the mainland. Pouring the wax replication took several steps, then she’d need to chase that—repair imperfections, remove seams and mold lines.

Painstaking, but she preferred doing her own wax chasing as she’d learned in Florence.

But by then, even with the steps that followed, she’d have a good sense of when she’d be ready to have it poured.

Sipping water, she turned toward her board, and the faces that waited. Time, she thought, to get back to her mission. A walk on the beach to clear her head, then she’d go back to work.

* * *

Reed walked Barney home in air soft with spring. Buildings, many freshly painted for the season, stood in soft roses, bright blues, quiet yellows and greens. Sort of like a garden, with touches of more in baskets of pansies or window boxes spilling with—he didn’t really know, but it looked nice.

Walking instead of driving reaped benefits. People along his stroll knew him now, stopped to have a word, ask a question. The best way, in his mind, to weave yourself into the fabric of a community was regular visibility—and compliments on flowerpots, paint, a new hairstyle didn’t hurt.

Barney still shied, but not as much, and not with everyone. The dog had his favorites on their comings and goings.

Barney’s top favorite—and Reed’s—got out of her car in his driveway as they approached. Barney let out a happy yip, wagged all over, so Reed unclipped the leash and let him go.

“Perfect timing.” Simone bent down to rub and stroke. Her gaze tracked up, amused. “Nice hat, Chief.”

“I like it. Donna gave it to me.”

“Donna?” Now her brows shot up as she straightened. “Well, well. You are accepted.”

“Seems like it.”

“Congratulations,” she said, moving in, winding around him, and capturing his mouth in a long, deep, steamy kiss.

“Wow. That’s an amazing way to end the workday.”

“I had a really good workday myself, so.” She kissed him again until he fisted a hand on the back of her shirt.

“Why don’t we just—”

“Mmm-mm.” She gave his bottom lip a quick bite. “Things to do first. You can carry in the supplies.”

“We have supplies?”

“We have pasta salad—another draw from my limited culinary repertoire— and some marinated chicken breasts—courtesy of CiCi. She says if you don’t know how to grill chicken, Google it.”

“I can do that, and supply the wine.”

He got out the bag as she took a square package out of the other side. He’d seen enough of them now to recognize a wrapped painting.

“What’s that?”

“Your mermaid, as promised. Get me that wine, I’ll unveil her.”

“Hot damn.” He smiled over at her as they started inside—across the porch he’d—with Cecil’s and Mathias’s help—painted orchid. “You must’ve had a really good workday.”