The Sea of Tranquility (Page 61)

The Sea of Tranquility(61)
Author: Katja Millay

She opens her mouth but sees him before any words make it out. I don’t know whose eyes are wider. Something unspoken goes on between the two of them. I can’t tell if she looks frightened or ashamed, but it looks like she’s gotten younger just seeing him. The tea kettle whistles and we’re so on edge that I think we all might piss our pants right here. Except for Nastya, because right now, she’s not wearing any. I look between the two of them and settle on her.

“Got company, Sunshine. Anyone want tea?”

***

Her brother eventually leaves once he accepts that she isn’t going back with him. I wonder how much hell she’s going to catch for that. Answering to people isn’t something I ever have to worry about, so it never crosses my mind, but she has a family and I don’t know how she gets away with just not going home, even if she is eighteen. She made a comment once that her parents are afraid to discipline her but she didn’t elaborate. I wonder if they’re scared of her, too. She spends most of her time here already, but how much of that information gets back to her parents is beyond me. If her family didn’t think we were screwing before, they do now.

“You’re not sleeping on the couch.” I tell her when she pulls the pillow and blanket she’s used before out of the linen closet.

“All right. Sorry.” She puts them down and starts looking around for her keys.

“You don’t have to leave.”

“But you said‌—‌”

“I just meant that the couch is seriously uncomfortable. You can take my bed. I’ll sleep on the couch.”

“I am not taking your bed. I don’t mind the couch. I’ve slept on it before.”

“So you know it sucks.”

“It’s better than always going back to Margot’s and being alone. I don’t want you giving up your bed.” She sits down on the couch and clutches the pillow in her lap.

“So sleep with me.”

“What?” Her eyes go wide and I laugh.

“Not that kind of sleep with me. Just sleep. It’s a king-size bed, you won’t even know I’m there.”

“Somehow I doubt that.” She looks around like she’s trying to figure something out. “How is it possible that you only have one bed in this house, anyway?”

“There’s a twin bed in Amanda’s room but you can’t find it anymore because I started storing everything in there and it’s underneath a bunch of crap. I got rid of the one in my old room when they needed to bring in the hospital bed for my grandfather. So now I just have the one in the master.” She doesn’t look at me like she feels bad, just like she understands.

“It can’t really be that bad,” she says, walking down to Amanda’s room. The door is always closed and she’s never gone in before, but she does now.

She steps inside to the almost non-existent pathway of visible carpet, and scans the room. There are boxes and piles of old clothing folded on the bed. A couple of random pieces of furniture I built, but wasn’t happy with, are shoved here and there; things I would keep in the garage, but don’t, because I need the space out there more than I need it here.

“Okay, it is that bad,” she laughs, before her eyes narrow with curiosity and I turn to see what she’s looking at. “You have a piano,” she says softly, stepping over to it. “Why is it in here?”

“Amanda was taking lessons. I never did. I rolled it in here a couple years ago when I needed the space in the living room for one of the tables.”

She runs her fingers along the top of the keys so lightly that I’m not sure she even touches them at all. There’s a reverence in the way she does it.

“Do you play?” I ask, because she’s never mentioned it.

“No,” she says. It takes her a second to look up at me because she’s still staring at the keys. “Not even a little.”

***

When I crawl into bed with her later, it doesn’t matter how huge the mattress is. I’m not completely brain dead. I know that this is a monumentally bad idea with repercussions written all over it. But she’s right. It’s just nice not being alone. And the couch is hellishly uncomfortable.

“Is it just me, or is this really strange?” she finally asks after about twenty minutes of awkward silence, because neither of us is sleeping.

“It’s not just you,” I agree.

“Do you want me to go?” she asks.

“No.” I don’t even need to do anything with her. Not that I don’t want to, because I want to touch her more than I probably should. But it really isn’t that. I just like her here.

She reaches over and finds my arm, just below my shoulder, and follows it until she reaches my hand. It reminds me of the way she touched the piano keys earlier and I can feel the trail her fingers leave all the way down my arm. There’s a comfort that wasn’t here a moment ago. Then, without a word, she curls up next to me and that’s how we fall asleep. Her hand in mine. Together.

***

On Wednesday in art class, Clay Whitaker shows me the portfolio he’s been working on and I want to hit him. He’s always updating, adding, deleting, based on whatever competition he’s entering it in or the college he’s applying to, and then he’ll show it to me, even though I never ask to see it and I don’t know shit about art. I don’t want to hit him for the portfolio itself, but for showing it to me here, in the middle of class, where it’s nearly impossible to keep my face blank. I think it’s a test. I look at Clay watching me, and I know it’s a test.

Every last drawing is of Sunshine. He has her face from every angle. Every emotion I can imagine anyone ever feeling is in her eyes in these pictures. I forgive him for every minute he stole her from my garage.

“Draw one for me.” The words are out of my mouth before I can bitchslap them into submission.

“You want me to draw you?” He’s annoyed or disappointed. I haven’t given him the reaction he was expecting.

“No. I want you to draw her. For me.”

Clay looks a little more pleased with that.

“How?” he asks.

“What do you mean, how?” I sound pissed and I mean to, but it’s me I’m pissed at. I just spilled my guts all over the floor in art class and now he’s going to kick them around a little bit for fun.

“How do you see her? If you want me to draw her for you, it should be how you see her. Not how I see her.”