Black House (Page 120)
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Part-time officers Holtz and Nestler pull in behind the car bearing Gilbertson, Lund, Dulac, and Potter. We don’t care much about Holtz and Nestler. Next in line is Jesperson and Tcheda, with Railsback and Morton Fine in the back seat (Morty is complaining about the lack of knee room). We care about Railsback, but he can wait. Next into the lot — oh, this is interesting, if not entirely unexpected: Wendell Green’s beat-up red Toyota, with the man himself behind the wheel. Around his neck is his backup camera, a Minolta that’ll keep taking pictures as long as Wendell keeps pressing the button. No one from the Sand Bar — not yet — but there is one more car waiting to turn into the already crowded lot. It’s a discreet green Saab with a POLICE POWER sticker on the left side of the bumper and one reading HUGS NOT DRUGS on the right. Behind the wheel of the Saab, looking stunned but determined to do the right thing (whatever the right thing might be), is Arnold "the Mad Hungarian" Hrabowski.
Standing in a line against the brick wall of the police station are the Thunder Five. They wear identical denim vests with gold 5’s on the left breast. Five sets of meaty arms are crossed on five broad chests. Doc, Kaiser Bill, and Sonny wear their hair in thick ponytails. Mouse’s is cornrowed tonight. And Beezer’s floods down over his shoulders, making him look to Jack a little like Bob Seger in his prime. Earrings twinkle. Tats flex on huge biceps.
"Armand St. Pierre," Jack says to the one closest the door. "Jack Sawyer. From Ed’s?" He holds out his hand and isn’t exactly surprised when Beezer only looks at it. Jack smiles pleasantly. "You helped big-time out there. Thanks."
Nothing from the Beez.
"Is there going to be trouble with the intake of the prisoner, do you think?" Jack asks. He might be asking if Beezer thinks it will shower after midnight.
Beezer watches over Jack’s shoulder as Dale, Bobby, and Tom help George Potter from the back of the cruiser and begin walking him briskly toward the back door. Wendell Green raises his camera, then is nearly knocked off his feet by Danny Tcheda, who doesn’t even have the pleasure of seeing which ass**le he’s bumped. "Watch it, dick-weed," Wendell squawks.
Beezer, meanwhile, favors Jack — if that is the word — with a brief, cold glance. "Wellnow," he says. "We’ll have to see how it shakes out, won’t we?"
"Indeed we will," Jack agrees. He sounds almost happy. He pushes in between Mouse and Kaiser Bill, making himself a place: the Thunder Five Plus One. And perhaps because they sense he doesn’t fear them, the two wide-boys make room. Jack crosses his own arms over his chest. If he had a vest, an earring, and a tattoo, he really would fit right in.
The prisoner and his custodians kill the distance between the car and the building quickly. Just before they reach it, Beezer St. Pierre, spiritual leader of the Thunder Five and father of Amy, whose liver and tongue were eaten, steps in front of the door. His arms are still folded. In the heartless glare of the parking lot lights, his massive biceps are blue.
Bobby and Tom suddenly look like guys with a moderate case of the flu. Dale looks stony. And Jack continues to smile gently, arms placidly crossed, seeming to gaze everywhere and nowhere at once.
"Get out of the way, Beezer," Dale says. "I want to book this man."
And what of George Potter? Is he stunned? Resigned? Both? It’s hard to tell. But when Beezer’s bloodshot blue eyes meet Potter’s brown ones, Potter does not drop his gaze. Behind him, the lookie-loos in the parking lot fall silent. Standing between Danny Tcheda and Dit Jesperson, Andy Railsback and Morty Fine are gawking. Wendell Green raises his camera and then holds his breath like a sniper who’s lucked into a shot — just one, mind you — at the commanding general.
"Did you kill my daughter?" Beezer asks. The gentle inquiry is somehow more terrible than any raw yell could have been, and the world seems to hold its breath. Dale makes no move. In that moment he seems as frozen as the rest of them. The world waits, and the only sound is a low, mournful hoot from some fogbound boat on the river.
"Sir, I never killed no one," Potter says. He speaks softly and without emphasis. Although he has expected nothing else, the words still box Jack’s heart. There is an unexpected painful dignity in them. It’s as if George Potter is speaking for all the lost good men of the world.
"Stand aside, Beezer," Jack says gently. "You don’t want to hurt this guy."
And Beezer, looking suddenly not at all sure of himself, does stand aside.
Before Dale can get his prisoner moving again, a raucously cheerful voice — it can only be Wendell’s — yells out: "Hey! Hey, Fisherman! Smile for the camera!"
They all look around, not just Potter. They have to; that cry is as insistent as fingernails dragged slowly down a slate blackboard. White light strobes the foggy parking lot — one! two! three! four! — and Dale snarls. "Aw, f**k me till I cry! Come on, you guys! Jack! Jack, I want you!"
From behind them, one of the other cops calls, "Dale! You want me to grab this creep?"
"Leave him alone!" Dale shouts, and bulls his way inside. It’s not until the door is closed behind him and he’s in the lower hall with Jack, Tom, and Bobby that Dale realizes how certain he was that Beezer would simply snatch the old man away from him. And then crack his neck like a chicken bone.
"Dale?" Debbi Anderson calls uncertainly from halfway down the stairs. "Is everything all right?"
Dale looks at Jack, who still has his arms crossed over his chest and is still smiling his little smile. "I think it is," Dale says. "For now."
Twenty minutes later, Jack and Henry (the latter gentleman retrieved from the truck and still reet-petite) sit in Dale’s office. Beyond the closed door, the ready room roars with conversation and laughter: almost every cop on the FLPD force is out there, and it sounds like a god-damn New Year’s Eve party. There are occasional shouts and smacking sounds that can only be relieved boys (and girls) in blue high-fiving each other. In a little while Dale will put a stop to that shit, but for now he’s content to let them go ahead. He understands how they feel, even though he no longer feels that way himself.
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