Black House (Page 171)

Badger Barrage going national? Jack wouldn’t be entirely surprised, but he has no time to be delighted for Henry now. He hands Mrs. Morton the cassette tape, mostly so he won’t feel this was an entirely wasted trip. "Leave this for him where . . ."

He stops. Mrs. Morton is looking at him with knowing amusement. Where he’ll be sure to see it is what Jack almost said. Another mental miscue. Big-city detective, indeed.

"I’ll leave it by the soundboard in his studio," she says. "He’ll find it there. Jack, maybe it’s none of my business, but you don’t look all right. You’re very pale, and I’d swear you’ve lost ten pounds since last week. Also . . ." She looks a bit embarrassed. "Your shoes are on the wrong feet."

So they are. He makes the necessary change, standing first on one foot and then the other. "It’s been a tough forty-eight hours, but I’m hanging in there, Mrs. M."

"It’s the Fisherman business, isn’t it?"

He nods. "And I have to go. The fat, as they say, is in the fire." He turns, reconsiders, turns back. "Leave him a message on the kitchen tape recorder, would you? Tell him to call me on my cell. Just as soon as he gets in." Then, one thought leading to another, he points to the unmarked cassette tape in her hand. "Don’t play that, all right?"

Mrs. Morton looks shocked. "I’d never do such a thing! It would be like opening someone else’s mail!"

Jack nods and gives her a scrap of a smile. "Good."

"Is it . . . him on the tape? Is it the Fisherman?"

"Yes," Jack says. "It’s him." And there are worse things waiting, he thinks but doesn’t say. Worse things by far.

He hurries back to his truck, not quite running.

Twenty minutes later Jack parks in front of the babyshit brown two-story at 1 Nailhouse Row. Nailhouse Row and the dirty snarl of streets around it strike him as unnaturally silent under the sun of this hot summer afternoon. A mongrel dog (it is, in fact, the old fellow we saw in the doorway of the Nelson Hotel just last night) goes limping across the intersection of Ames and County Road Oo, but that’s about the extent of the traffic. Jack has an unpleasant vision of the Walrus and the Carpenter toddling along the east bank of the Mississippi with the hypnotized residents of Nailhouse Row following along behind them. Toddling along toward the fire. And the cooking pot.

He takes two or three deep breaths, trying to steady himself. Not far out of town — close to the road leading to Ed’s Eats, in fact — that nasty buzzing in his head peaked, turning into something like a dark scream. For a few moments there it was so strong Jack wondered if he was perhaps going to drive right off the road, and he slowed the Ram to forty. Then, blessedly, it began to move around toward the back of his head and fade. He didn’t see the NO TRESPASSING sign that marks the overgrown road leading to Black House, didn’t even look for it, but he knew it was there. The question is whether or not he’ll be able to approach it when the time comes without simply exploding.

"Come on," he tells himself. "No time for this shit."

He gets out of the truck and starts up the cracked cement walk. There’s a fading hopscotch diagram there, and Jack swerves to avoid it without even thinking, knowing it’s one of the few remaining artifacts which testify that a little person named Amy St. Pierre once briefly trod the boards of existence. The porch steps are dry and splintery. He’s vilely thirsty and thinks, Man, I’d kill for a glass of water, or a nice cold — 

The door flies open, cracking against the side of the house like a pistol shot in the sunny silence, and Beezer comes running out.

"Christ almighty, I didn’t think you were ever gonna get here!"

Looking into Beezer’s alarmed, agonized eyes, Jack realizes that he will never tell this guy that he might be able to find Black House without Mouse’s help, that thanks to his time in the Territories he has a kind of range finder in his head. No, not even if they live the rest of their lives as close friends, the kind who usually tell each other everything. The Beez has suffered like Job, and he doesn’t need to find out that his friend’s agony may have been in vain.

"Is he still alive, Beezer?"

"By an inch. Maybe an inch and a quarter. It’s just me and Doc and Bear Girl now. Sonny and Kaiser Bill got scared, ran off like a couple of whipped dogs. March your boots in here, sunshine." Not that Beezer gives Jack any choice; he grabs him by the shoulder and hauls him into the little two-story on Nailhouse Row like luggage.

23

"ONE MORE !" says the guy from ESPN.

It sounds more like an order than a request, and although Henry can’t see the fellow, he knows this particular homeboy never played a sport in his life, pro or otherwise. He has the lardy, slightly oily aroma of someone who has been overweight almost from the jump. Sports is perhaps his compensation, with the power to still memories of clothes bought in the Husky section at Sears and all those childhood rhymes like "Fatty-fatty, two-by-four, had to do it on the floor, couldn’t get through the bathroom door."

His name is Penniman. "Just like Little Richard!" he told Henry when they shook hands at the radio station. "Famous rock ‘n’ roller from back in the fifties? Maybe you remember him."

"Vaguely," Henry said, as if he hadn’t at one time owned every single Little Richard had ever put out. "I believe he was one of the Founding Fathers." Penniman laughed uproariously, and in that laugh Henry glimpsed a possible future for himself. But was it a future he wanted? People laughed at Howard Stern, too, and Howard Stern was a dork.

"One more drink!" Penniman repeats now. They are in the bar of the Oak Tree Inn, where Penniman has tipped the bartender five bucks to switch the TV from bowling on ABC to ESPN, even though there’s nothing on at this hour of the day except golf tips and bass fishing. "One more drink, just to seal the deal!"